Electronic and Computer Music

Author:   Peter Manning
Publisher:   Oxford University Press Inc
Edition:   Revised edition
ISBN:  

9780195170856


Pages:   484
Publication Date:   29 January 2004
Format:   Paperback
Availability:   Out of print, replaced by POD   Availability explained
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Electronic and Computer Music


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Overview

This updated and expanded third edition of Peter Manning's classic text, Electronic and Computer Music, deals with the development of the medium from its birth to the 21st century. The first section of the book, which remains essentially unchanged in this edition, covers electroacoustic music from its beginning at the turn of the century to 1945, the development of post-1945 'classical' studios, development of voltage-controlled technology, and its commercial exploitation in tape works, live electronic music, and the early use of electronics in rock and pop music. Section two, Computer Music, is heavily revised and significantly expanded and treats the digital revolution from the early experiments during the late 1950s and early 1960s to the advanced systems of today. Emphasizing the functional characteristics of emerging digital technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors.

Full Product Details

Author:   Peter Manning
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Edition:   Revised edition
Dimensions:   Width: 15.50cm , Height: 2.30cm , Length: 23.40cm
Weight:   0.715kg
ISBN:  

9780195170856


ISBN 10:   0195170857
Pages:   484
Publication Date:   29 January 2004
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Out of Print
Availability:   Out of print, replaced by POD   Availability explained
We will order this item for you from a manufatured on demand supplier.

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Peter Manning completed a doctorate in electroacoustic music at the University of Durham, and has been the director of its Electroacoustic Music Studio since 1980. In addition to writing books and articles on the history and development of the medium, he has directed several research programs into new technologies for computer music and composed a number of widely performed electroacoustic works.

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