Dueling Grounds: Revolution and Revelation in the Musical Hamilton

Author:   Mary Jo Lodge (Associate Professor of Theater, Associate Professor of Theater, Lafayette College) ,  Paul R. Laird (Professor of Musicology, Professor of Musicology, University of Kansas)
Publisher:   Oxford University Press Inc
ISBN:  

9780190938857


Pages:   256
Publication Date:   30 September 2021
Format:   Paperback
Availability:   To order   Availability explained
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Dueling Grounds: Revolution and Revelation in the Musical Hamilton


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Author:   Mary Jo Lodge (Associate Professor of Theater, Associate Professor of Theater, Lafayette College) ,  Paul R. Laird (Professor of Musicology, Professor of Musicology, University of Kansas)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.90cm , Height: 2.30cm , Length: 15.20cm
Weight:   0.567kg
ISBN:  

9780190938857


ISBN 10:   0190938854
Pages:   256
Publication Date:   30 September 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

Dueling Grounds is a multi-faceted look at the musical Hamilton, which reminds us that even though we may know every lyric by heart, we can always look deeper into this era-defining musical, thanks to an array of provocative perspectives showcased in this book. * Howard Sherman, author of Another Day's Begun: Thornton Wilder's Our Town in the 21st Century * This impressive volume is a rewarding and approachable read: its essays encourage engagement with Hamilton as a liminal space whose borders intersect with historiography and history, economics, identity politics, composition, staging practices, and materiality. The dialogue between the chapters promotes an additional layer of liminality that enriches exploration of the contexts from which this musical arose, and into which it speaks, and contributes to the understanding of musical theatre as multi-dimensional communication. * Millie Taylor, Professor of Musical Theatre, University of Winchester *


Author Information

Mary Jo Lodge is Associate Professor of Theater at Lafayette College in Pennsylvania, and a performer, director, and choreographer. Paul R. Laird is Professor of Musicology at the University of Kansas and editor of The Cambridge Companion to the Musical (2002; 2nd edition, 2008, third edition 2017).

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