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OverviewThis book is a significant re-thinking of Duchamp’s importance in the twenty-first century, taking seriously the readymade as a critical exploration of object-oriented relations under the conditions of consumer capitalism. The readymade is understood as an act of accelerating art as a discourse, of pushing to the point of excess the philosophical precepts of modern aesthetics on which the notion of art in modernity is based. Julian Haladyn argues for an accelerated Duchamp that speaks to a contemporary condition of art within our era of globalized capitalist production. Full Product DetailsAuthor: Julian Jason Haladyn (OCAD University)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.320kg ISBN: 9780367266769ISBN 10: 0367266768 Pages: 86 Publication Date: 07 August 2019 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of figures Acknowledgments 1 Apropos 2 Readymade as object 3 Capitalist accelerations 4 Aesthetics and the object 5 Comb 6 Speeding up language 7 Challenges to origineity 8 Consequences of a Duchampian accelerationism [1] 9 The choice economy 10 Readymade as black hole 11 Consequences of a Duchampian accelerationism [2] 12 Tzanck Check 13 Note on a readymade economics 14 Missed creative acts 15 Remade readymades 16 We Will Wait 17 An accelerated DuchampReviewsAuthor InformationJulian Jason Haladyn is an art historian, cultural theorist and professor at OCAD University, Canada. Tab Content 6Author Website:Countries AvailableAll regions |
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