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OverviewDressing the Resistance explores how everyday people have harnessed the visual power of clothing, accessories and costume to spur social and cultural change. Throughout history, societies have used clothing to show acceptance and exclusion, convention and subversion, group belonging and rejection. In the same way, fashion, clothing, textiles and costume have served their own critical role in shaping protest movements throughout history. In short, clothing was often the most basic opportunity for groups to rebel: a simple, mundane item to express their discontent. American suffragettes made and wore dresses from old newspapers printed with voting slogans. British Punks took a humble safety pin from the household sewing kit, punched it through an earlobe and headed out to face a bleak post-war world. And male farmers in India wore their wives' saris while staging sit-ins on railroad tracks. With the advent of the Trump administration and the ensuing worldwide Women's March in January 2017, the #MeToo movement and #BlackLivesMatter, protest has again entered the American zeitgeist, this time with a stronger need for inspiration and action than ever before. Full Product DetailsAuthor: Camille BendaPublisher: Princeton Architectural Press Imprint: Princeton Architectural Press ISBN: 9781616899882ISBN 10: 1616899883 Pages: 208 Publication Date: 11 November 2021 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviews[Dressing the Resistance] shows that fashion can be more than a passive mirror of history. It can be a catalyst for change - and an empowering tool for women....If a simple piece of clothing seems trivial to you, Dressing the Resistance is here to change your mind. - Fast Company, Author InformationCamille Benda is the Head of Costume Design at California Institute of The Arts, School of Theatre, where she has also been appointed to a Research and Practice Fellowship on inclusive and equitable dress history. She has a Masters of Fine Art in Theatre Design from Yale School of Drama, and a Masters of Art from the Courtauld Institute in the History of Dress. Tab Content 6Author Website:Countries AvailableAll regions |