Overview

How twentieth-century developments in science influenced the aesthetics of the burgeoning American cartoon What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature, Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination.

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9781517914882

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Reviews

""Well-researched and provocative, Drawn to Nature makes a significant contribution to the diverse field of cinema and promises to expand its merging subfield of science and animation. Colin Williamson unsettles narrow histories of American animation, straying outside the confines of disciplinary narratives to show animation's real promiscuity: it's influenced as much by physics and engineering as it is biology and science.""--Adam Nocek, author of Molecular Capture: The Animation of Biology

""Well-researched and provocative, Drawn to Nature makes a significant contribution to the diverse field of cinema and promises to expand its merging subfield of science and animation. Colin Williamson unsettles narrow histories of American animation, straying outside the confines of disciplinary narratives to show animation's real promiscuity: it's influenced as much by physics and engineering as it is biology and science.""--Adam Nocek, author of Molecular Capture: The Animation of Biology ""Colin Williamson brilliantly demonstrates how animation, seemingly the most artificial of film forms, in fact has a deep inheritance from the natural world and sciences. He unearths evidence of collaborations between scientific advisors and the famed Disney, Fleischer, and UPA studios and the influence on them of transformational modern theories of evolution and relativity. Equally, he reveals previously overlooked examples of the intersection of science with animation, such as Frank Capra's educational films and Elsa Garmire's experimental and expanded animation. Bridging the two cultures of animation studies and science and technology studies, Drawn to Nature is essential reading for scholars in both fields, as well as anyone looking to trace the twentieth century origins of popular scientific visual culture.""--Malcolm Cook, University of Southampton

Author Information

Colin Williamson is assistant professor of cinema studies at the University of Oregon, author of Hidden in Plain Sight: An Archaeology of Magic and the Cinema, and associate editor of Animation: An Interdisciplinary Journal.

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