Overview

"For the last three years, photographer Doug Rickard has been immersed in YouTube videos uploaded by Americans from their cellphones. These videos, documenting a dizzying array of activities, from seemingly criminal or semilegal acts to comic antics, allowed Rickard to witness scenarios he otherwise would never have seen-""right from the hands and eyes of other people,"" he writes, ""hijacking their own device to give me very special views and intimate situations."" Reveling in this vicariousness, he found that he could be ""riding in a car full of teens through Detroit at night with a camera phone hanging out the window ... or witnessing, from their own lens, someone who is paying a drug addict to dance for a dollar to later get 'View, ' 'Comments' and 'Likes' on YouTube."" Rickard then selected and appropriated specific images by pausing the footage and advancing through it second by second. The resulting volume expands on his previous and critically lauded monograph A New American Picture, offering a darker and more dynamic portrait of America's urban underbelly, and engaging with themes of race, politics, technology, surveillance and our cultural shift toward an ever-present camera. Rickard explains the title: ""[It] has always been 'N.A., ' coming for 'National Anthem' ... it also could be interpreted to mean 'Not Applicable, ' a common statistical check box on government forms here in the US, [or] 'North America.'"" Visceral and intense, this volume offers an extraordinary inventory of America today. Doug Rickard (born 1968) studied history and sociology at the University of California, San Diego. He is the founder of American Suburb X (www.americansuburbx.com) and These Americans (www.theseamericans.com), aggregating websites for essays on contemporary photography and historical photographic archives. His previous monograph, A New American Picture (2010, 2012), which offered a view of America through Google Street View, was widely acclaimed, and (in its first edition by White-Press, Helge Schlaghecke, 2010) was voted ""best book"" of 2010 by Photo-Eye magazine and is reproduced on the last spread of Phaidon's The Photobook Vol. III by Martin Parr and Gerry Badger."

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9781938922626

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A crash course in found photography in the mobile age, artist Doug Rickard takes still frames from YouTube videos depicting semi-illegal and at times unsettling acts and repurposes them as still images, posing harsh and undeniable questions about private vs. public, photography vs. video and art vs. appropriation.--Phil Bicker TIME Lightbox (09/08/2014)

A crash course in found photography in the mobile age, artist Doug Rickard takes still frames from YouTube videos depicting semi-illegal and at times unsettling acts and repurposes them as still images, posing harsh and undeniable questions about private vs. public, photography vs. video and art vs. appropriation.--Phil Bicker -TIME Lightbox -

Like much of modern history, the Eric Garner decision will eventually be boiled down to a few memorable images-or in this case, unforgettable video footage taken by a bystander. The photographer Doug Rickard's timely new book, N.A. (D.A.P.), is a catalogue of striking stills he took from hours of YouTube videos uploaded by amateurs in America's urban underbellies. Some of the images seem criminal, some titillating, some ridiculous, some unbearably intimate. Seen together, they are vivid evidence of the nonstop surveillance culture in which we live. You might think that the police would've picked up on that by now.--Fan Zhong wmagazine.com (12/12/2014)

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