Double Exposure: How Social Psychology Fell in Love with the Movies

Author:   Kathryn Millard
Publisher:   Rutgers University Press
ISBN:  

9781978809468


Pages:   170
Publication Date:   18 March 2022
Recommended Age:   From 18 to 99 years
Format:   Hardback
Availability:   In Print   Availability explained
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Double Exposure: How Social Psychology Fell in Love with the Movies


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Overview

Double Exposure examines the role of film in shaping social psychology’s landmark postwar experiments. We are told that most of us will inflict electric shocks on a fellow citizen when ordered to do so. Act as a brutal prison guard when we put on a uniform. Walk on by when we see a stranger in need. But there is more to the story. Documentaries that investigators claimed as evidence were central to capturing the public imagination. Did they provide an alibi for twentieth century humanity? Examining the dramaturgy, staging and filming of these experiments, including Milgram's Obedience Experiments, the Stanford Prison Experiment and many more, Double Exposure recovers a new set of narratives.

Full Product Details

Author:   Kathryn Millard
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 1.80cm , Length: 22.90cm
Weight:   0.003kg
ISBN:  

9781978809468


ISBN 10:   1978809468
Pages:   170
Publication Date:   18 March 2022
Recommended Age:   From 18 to 99 years
Audience:   College/higher education ,  College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

List of Illustrations Introduction 1. Setting the Scene 2. “You’re an Actor Now” 3. New Haven Noir 4. Good or Bad Samaritans? 5. Doing Time 6. Crime Scenes 7. Restaging the Psychology Experiment 8. “I was the SYSTEM” 9. Shifting the Story Index

Reviews

"New Books Network: New Books in Sociology interview with Kathryn Millard-- ""New Books Network: New Books in Sociology"" ""A landmark work! The classic films that reported human behavior experiments selectively told one story but many more were possible. Why one and not another? Millard explains why the dominant stories won out with an insightful provocative mix of analysis and speculation.""--Bill Nichols ""author of Representing Reality: Issues and Concepts in Documentary"" ""This is an important contribution to the raging debate on ethics and truth in storytelling, both in film and scientific research; it sheds light on the true-crime film genre; it recovers lost film history; and it reveals the value of truly interdisciplinary research. An exceptional creative and scholarly achievement!""--Patricia Aufderheide ""author of Documentary: A Very Short Introduction"""


A landmark work! The classic films that reported human behavior experiments selectively told one story but many more were possible. Why one and not another? Millard explains why the dominant stories won out with an insightful provocative mix of analysis and speculation. --Bill Nichols author of Representing Reality: Issues and Concepts in Documentary This is an important contribution to the raging debate on ethics and truth in storytelling, both in film and scientific research; it sheds light on the true-crime film genre; it recovers lost film history; and it reveals the value of truly interdisciplinary research. An exceptional creative and scholarly achievement! --Patricia Aufderheide author of Documentary: A Very Short Introduction


New Books Network: New Books in Sociology interview with Kathryn Millard-- New Books Network: New Books in Sociology A landmark work! The classic films that reported human behavior experiments selectively told one story but many more were possible. Why one and not another? Millard explains why the dominant stories won out with an insightful provocative mix of analysis and speculation. --Bill Nichols author of Representing Reality: Issues and Concepts in Documentary This is an important contribution to the raging debate on ethics and truth in storytelling, both in film and scientific research; it sheds light on the true-crime film genre; it recovers lost film history; and it reveals the value of truly interdisciplinary research. An exceptional creative and scholarly achievement! --Patricia Aufderheide author of Documentary: A Very Short Introduction


Author Information

KATHRYN MILLARD is a writer, independent filmmaker and an honorary professor of screen and creative arts at Macquarie University, Sydney, Australia. She is the author of Screenwriting in a Digital Era. 

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