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OverviewFull Product DetailsAuthor: Lynette Hunter , Lynette HunterPublisher: McGill-Queen's University Press Imprint: McGill-Queen's University Press Dimensions: Width: 15.20cm , Height: 58.50cm , Length: 22.90cm Weight: 0.499kg ISBN: 9780773541863ISBN 10: 0773541861 Pages: 326 Publication Date: 24 April 2014 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Out of stock The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsReviewsHunter is looking to challenge the form of the conventional literary critical essay, to explore a disunified aesthetics that incorporates performance art pieces that are available online as website materials, or incorporated as typographic and visual a Disunified Aesthetics is quietly intelligent and brilliantly self-reflexive. There are books that document a period or a movement in late twentieth-century Canadian writing but none that offers as extensive a critical engagement with processes of reading the literary texts in question. Lianne Moyes, Department of English Studies, Universite de Montre al Lynette Hunter' s work is a superb example of the advantage of crossing disciplinary lines and combining creativity with critical discourse. Extremely valuable for scholars of Canadian literature, theatre and performance, critical theory (in all contexts), and women' s studies, Disunified Aesthetics is a dynamic and compelling study that frequently manages to escape the confines of form. Jane Koustas, Department of Modern Languages, Literatures, and Cultures, Brock University Hunter is looking to challenge the form of the conventional literary critical essay, to explore a disunified aesthetics that incorporates performance art pieces that are available online as website materials, or incorporated as typographic and visual a Disunified Aesthetics is quietly intelligent and brilliantly self-reflexive. There are books that document a period or a movement in late twentieth-century Canadian writing but none that offers as extensive a critical engagement with processes of reading the literary texts in question. Lianne Moyes, Department of English Studies, Universite de Montreal Lynette Hunter's work is a superb example of the advantage of crossing disciplinary lines and combining creativity with critical discourse. Extremely valuable for scholars of Canadian literature, theatre and performance, critical theory (in all contexts), and women's studies, Disunified Aesthetics is a dynamic and compelling study that frequently manages to escape the confines of form. Jane Koustas, Department of Modern Languages, Literatures, and Cultures, Brock University Disunified Aesthetics is quietly intelligent and brilliantly self-reflexive. There are books that document a period or a movement in late twentieth-century Canadian writing but none that offers as extensive a critical engagement with processes of reading the literary texts in question. Lianne Moyes, Department of English Studies, Universite de Montreal """ Lynette Hunter' s work is a superb example of the advantage of crossing disciplinary lines and combining creativity with critical discourse. Extremely valuable for scholars of Canadian literature, theatre and performance, critical theory (in all contexts), and women' s studies, Disunified Aesthetics is a dynamic and compelling study that frequently manages to escape the confines of form."" Jane Koustas, Department of Modern Languages, Literatures, and Cultures, Brock University "" Disunified Aesthetics is quietly intelligent and brilliantly self-reflexive. There are books that document a period or a movement in late twentieth-century Canadian writing but none that offers as extensive a critical engagement with processes of reading the literary texts in question."" Lianne Moyes, Department of English Studies, Universite de Montre al "" Hunter is looking to challenge the form of the conventional literary critical essay, to explore a ""disunified aesthetics"" that incorporates performance art pieces that are available online as website materials, or incorporated as typographic and visual a" Author InformationLynette Hunter is Distinguished Professor of the History of Rhetoric and Performance at the University of California, Davis. Tab Content 6Author Website:Countries AvailableAll regions |