Disgust: Theory and History of a Strong Sensation

Author:   Winfried Menninghaus ,  Howard Eiland ,  Joel Golb
Publisher:   State University of New York Press
ISBN:  

9780791458310


Pages:   480
Publication Date:   09 October 2003
Format:   Hardback
Availability:   Awaiting stock   Availability explained
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Disgust: Theory and History of a Strong Sensation


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Overview

Examines this forceful emotion from philosophical, literary, and art historical perspectives.

Full Product Details

Author:   Winfried Menninghaus ,  Howard Eiland ,  Joel Golb
Publisher:   State University of New York Press
Imprint:   State University of New York Press
Dimensions:   Width: 15.20cm , Height: 2.50cm , Length: 22.90cm
Weight:   0.735kg
ISBN:  

9780791458310


ISBN 10:   0791458318
Pages:   480
Publication Date:   09 October 2003
Audience:   General/trade ,  College/higher education ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

"INTRODUCTION: BETWEEN VOMITING AND LAUGHING. BASE LINES OF A PHILOSOPHY OF DISGUST Exposition / Subject Matter and Objectives of the Present Study / Aurel Kolnai, ""Der Ekel"" (Disgust) / Democracy as Source of Disgust: William Ian Miller's The Anatomy of Disgust 1. THE DISGUST TABOO, AND THE OMNIPRESENCE OF DISGUST IN AESTHETIC THEORY The Beautiful as Vomitive / Aesthetic Infinity as Antivomitive / ""Mixed Sensations"" and the Exception of Disgust / Pleasure and Displeasure / The ""Darkest of all the Senses"" and the Collapse of Aesthetic Illusion in Disgust / Semanticized and ""Crude"" Disgust 2. DISGUSTING ZONES AND DISGUSTING TIMES: THE CONSTRUCTION OF THE IDEALLY BEAUTIFUL BODY The Ideal Skin and Disgust at Folds and Wrinkles, Layers of Cartilage and Fat / Disgusting Depths and the Body's Openings / Forever young / The Gaping Mouth / Nose-Disgust and the ""Greek Profile"" / The ""Flattened Ear"" / ""Disgusting Breasts"" and Ideal ""Hills"" / Invisibility, Unseen Nakedness, and ""Wetted Garments"" / A Body ""Without a Belly"" / The ""Spare Behind"" / Excision, Castration, Hermaphroditization: the Phallus in the Field of the Beautiful / The ""Hypergigantic"" Sex of the ""Colossal Woman"" / Wounds, Dismembered Limbs, Flayed Skin: The Body as a ""Disgusting Thing"" / Beautiful Death and Disgusting Decay / The Ugly Old Lady / Repression or Differentiation? / Disgust, Purity, and Impurity in the Aesthetic 3. ""STRONG VITAL SENSATION"" AND ORGANON OF PHILOSOPHY: THE JUDGMENT OF DISGUST IN KANT Disgust and Pleasure / Disgust as a Goal of Education / Smell, Taste, and the ""Vital Sensation"" of Disgust / Disgust, Laughter, and ""Dark Conceptions"" / Disgust as an Organon of Intellectual Critique / Disgust as Organon of Practical Action / Disgust, Happiness and Unhappiness, Ennui 4. POETRY OF PUTREFACTION: ""BEAUTIFUL DISGUST"" AND THE PATHOLOGY OF THE ""ROMANTIC"" Classical Disgust and the Basic Alterations of the Aesthetic Field around 1800 / The Disgusting as Stimulus-Increase and Recipe of Modern ""Shock""-Aesthetics / The License of ""Disgusting Impotence"" and the Decay of the Negative Principle / Disgusting Souls, Disgusting Times, and the Art of the Disgusting: The ""Romantic"" Ubiquity of the Once-Tabood / Rosenkranz on the Disgusting (1): Putrefaction as an ""Inverse Becoming of the Already Dead"" / Baudelaire's Poem ""Une charogne"" / Rosenkranz on the Disgusting (2): The Return of Indigestibility in the System of Dialectic Appropriation 5. THE ""NO"" OF DISGUST AND NIETZSCHE'S ""TRAGEDY"" OF KNOWLEDGE Plato, Jesus, and Morals as World-Historical Agents of Disgust / ""Ressentiment"" and Weakness as Catalysts of Modern ""Moralizing""--The Disgusting Mixture of Lies and Innocence / ""Mollycoddling"" as Disgust at one's own Cruelty / The Disgusting Body and Nietzsche's Physiology / ""Great Disgust"" and Contemporary Literature / Disgust and Cognition / Education for Disgust / Overcoming Disgust / Nietzsche Vetula 6. THE PSYCHOANALYSIS OF STINKING: LIBIDO, DISGUST, AND CULTURAL DEVELOPMENT IN FREUD Interpretations of Disgust in Evolutionary Theory before Freud / Freud's Birth / Disgust, Aesthetic Culture, Antie-Aesthetic Libido / The Triumph of Libido: the ""Perverse"" Overcoming of Disgust / Perverse Father, Servant Girl, and Prostitute / Habemus Vetulam / Disgust and the Choice of Neurosis / Excretion as Prototype of Social Acts, and the Copro-Erotics of Language / ""Disgusting Abuses,"" ""Primeval Devil Worship,"" and the Equation of Analyst and Torturer / Art as Suspension of Disgust and Guiltless ""Enjoyment"" of the Rejected / Research on Disgust in Empirical Psychology after Freud 7. THE ANGEL OF DISGUST: KAFKA'S POETICS OF ""INNOCENT"" ENJOYMENT OF ""SULPHUROUS"" PLEASURES 7.1. Ugly Maidservants, Fat Old Whores, Sexual Disgust, and ""Sulphurous"" Obessions Felice and Other Women with Un-Greek Noses, Skin Defects, and Bad Teeth / ""Old Maids"" / ""I Want Only the Stout Older Ones"" / Disgust with Conjugal Sexuality versus Pleasure in Disgusting Sex Outside of Marriage / ""Innocence"" and ""You Must Possess Every Girl!"" / ""Dirty Fellow,"" Dancing and Swinging Pigs, Stinking Bitches and Self-Knowledge / Kafka the ""Flabby Worm:"" The Method of Making ""Abominable Peculiarities"" Invisible through the Form of Their Disclosure 7.2. The Transformation of the Abject into ""Guiltless Enjoyment:"" Writing as Devlish-Angelic ""Deceiving without Deception"" 7.3. Disgusting Sexuality in Kafka's Novels Amerika, or the Trajectory of Male Innocence in the Realm of ""Repellent"" Female Practices / Loathsome Power and K.'s ""Sexual Etiquette"" in The Trial and The Castle 7.4. A Poetics of Eating and Vomiting Broken Engagements and Disgust with Meat, Spoiled Old Food and Laxatives / On Hard Sausages and Filthy Breakfasts: Nutrition and Narration in Kafka's Amerika / Breakfast, Old Woman, and Arrest: The Opening Chapter of The Trial / Orgies of Flesh-Eating and Intoxication with Blood in Kafka's (Hunger) Stories 7.5. Incisions in Flesh and the Knife of Literature Torture, Truth, and Disembowelled Pigs / ""Like a Dog:"" K.'s Execution as the Summa of Kafka's Knife-Poetics / The ""Stupidity"" of Torture 7.6. The Wound in the Text and the Text as Wound: The Story ""A Country Doctor"" 7.7. Beer-Drinking Hearse-Drivers and Cheerful Gravediggers 7.8. ""Horrible Words"" and Kafka's Physiology of Writing 8. Holy Disgust (Bataille) and the Sticky Jelly of Existence (Sartre) Anti-Aesthetic of the ""Formless:"" Materialism of the Debased, Pollution of the Beautiful, Self-Mutilation, and the ""Bliss"" of Anal-Sadistic Ravages / Disgust Prohibitions and their Transgression as Societal ""Core"" and Stimulating Medium of Erotic Violence / ""La Nausee: c'est moi""--Sartre's Elevation of Disgust to the Sole Authentic Experience of Existence 9. Abject Mother (Kristeva), Abject Art, and the Convergence of Disgust, Truth, and the Real Repression, Repudiation, Abjection / Abject Mother, Symbolic Order, Desire / Abjection, Disgust, and Jouissance / Literature as (Perverse) Reclamation of the Abandoned / Rhythm, Laughing Apocalypse, Happy Guilt / Abject Pleasure, Disgust, Truth and the Real / Grand Narratives of the Heterogeneous / AIDS, Disgust, and Affirmative Abjection: On the Political Appropriation of Kristeva / The Academic Career of the ""Abject"" / Abject Art NOTES BIBLIOGRAPHY"

Reviews

This absorbing study represents the first systematic and historically comprehensive attempt to think through the perplexing status of 'disgust' as a notion in aesthetics, philosophy, and literature from the eighteenth century to the present. A fascinating read.


Author Information

Winfried Menninghaus is Professor of Comparative Literature at the Free University, Berlin. He is the author of many books, including In Praise of Nonsense: Kant and Bluebeard.

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