|
|
|||
|
||||
OverviewA visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including: 3D vision History of 3D cinema Stereoscopic basics and techniques How to shoot in 3D 3D VFXs, animation in 3D, and 2D to 3D conversion Live broadcast in 3D 3D viewing and projection 3D as a storytelling tool Screenwriting for 3D Working with a stereographer 3D storyboarding and previz 3D postproduction Sound design in-depth A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amélie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios). A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films. Full Product DetailsAuthor: Celine Tricart (Lucid Dreams Productions, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 19.10cm , Height: 1.50cm , Length: 23.50cm Weight: 1.450kg ISBN: 9781138847897ISBN 10: 1138847895 Pages: 240 Publication Date: 09 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPart I. 3D: Theoretical and Technical Foundations 1. Stereoscopic Vision 2. History of 3D Cinema 3. Stereoscopic Basis and Techniques 4. 3D Viewing and Projection Part II. 3D: A Filmmaking Language 5. Stereoscopy: A New Art? 6. 3D as a Storytelling Tool 7. Make a Film in 3D 8. Key Concepts Conclusion: The Future of 3DReviewsAuthor InformationCeline Tricart is a filmmaker and stereographer. Since 2008 she has been the stereographer behind more than 20 live 3D broadcasts, commercials, and documentaries, including the first French 3D film, Behind the Walls. Celine also served as a 3D Rig Technician on the 2014 box office hits Stalingrad and Transformers: Age of Extinction. Tab Content 6Author Website:Countries AvailableAll regions |