Digital Visual Effects in Cinema: The Seduction of Reality

Author:   Stephen Prince
Publisher:   Rutgers University Press
ISBN:  

9780813551869


Pages:   272
Publication Date:   01 January 2012
Format:   Paperback
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

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Digital Visual Effects in Cinema: The Seduction of Reality


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Full Product Details

Author:   Stephen Prince
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 2.00cm , Length: 22.90cm
Weight:   0.454kg
ISBN:  

9780813551869


ISBN 10:   0813551862
Pages:   272
Publication Date:   01 January 2012
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Awaiting stock   Availability explained
The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you.

Table of Contents

Acknowledgments Introduction: Beyond Spectacle 1. Through the Looking Glass 2. Painting with Digital Light 3. Actors and Algorithms 4. Digital Environment Creation 5. Immersive Aesthetics Conclusion: The Pleasures of Illusion Notes Index

Reviews

For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. --Carl Plantinga Choice


For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience (09/13/2011)


For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. --Choice


For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. -- Choice


"""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice * ""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice *"


""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice * ""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice *


Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended.


Author Information

STEPHEN PRINCE is a professor at Virginia Tech. He has written or edited numerous books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968; The Horror Film; and American Cinema of the 1980s: Themes and Variations, all published by Rutgers University Press.

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