|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Stephen PrincePublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 2.00cm , Length: 22.90cm Weight: 0.454kg ISBN: 9780813551869ISBN 10: 0813551862 Pages: 272 Publication Date: 01 January 2012 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Awaiting stock The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsAcknowledgments Introduction: Beyond Spectacle 1. Through the Looking Glass 2. Painting with Digital Light 3. Actors and Algorithms 4. Digital Environment Creation 5. Immersive Aesthetics Conclusion: The Pleasures of Illusion Notes IndexReviewsFor an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. --Carl Plantinga Choice For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience (09/13/2011) For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. --Choice For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling. --Carl Plantinga author of Moving Viewers: American Film and the Spectator's Experience Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. -- Choice """For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice * ""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice *" ""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice * ""For an understanding of the impact and consequences of digital visual effects in the movies, this book is essential. Prince knows his stuff, and his perspective is wise and compelling."" -- Carl Plantinga * author of Moving Viewers: American Film and the Spectator's Experience * ""Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended."" * Choice * Whereas many books have debated the merits of digital effects in cinema, few of them truly explore the many layers of cinematic experience that are made possible by all kinds of technology. Digital Visual Effects in Cinema is one of the exceptions to this trend in that Prince examines the various levels at which digital effects can be integrated into a film, giving a rich understanding of the range of possibilities and their implications for the production and consumption of a film. An eyjoyable, informative read. Highly recommended. Author InformationSTEPHEN PRINCE is a professor at Virginia Tech. He has written or edited numerous books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968; The Horror Film; and American Cinema of the 1980s: Themes and Variations, all published by Rutgers University Press. Tab Content 6Author Website:Countries AvailableAll regions |