Digital Theatre: The Making and Meaning of Live Mediated Performance, US & UK 1990-2020

Author:   Nadja Masura
Publisher:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
ISBN:  

9783030556303


Pages:   295
Publication Date:   23 October 2021
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Digital Theatre: The Making and Meaning of Live Mediated Performance, US & UK 1990-2020


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Full Product Details

Author:   Nadja Masura
Publisher:   Springer Nature Switzerland AG
Imprint:   Springer Nature Switzerland AG
Edition:   1st ed. 2020
Weight:   0.411kg
ISBN:  

9783030556303


ISBN 10:   3030556301
Pages:   295
Publication Date:   23 October 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. Introduction.- 2. Scenography.- 3. The Theatre Building/Place.- 4. The Actor.- 5. The Animated Actor.- 6. Costuming.- 7. Director/Dramaturg (Authority).- 8. Writer/Audience (Authorship).- 9. Theorizing Body/Place: The Agency of the Digital Performer and the Body as Place.- 10. Theorizing Place/Community: Issues of Access and Performativity.- 11. Conclusion: Binaries of Hope, Theorizing Theater’s Place in an Increasingly Performative Digital World.

Reviews

This book is a valuable addition to anglophone literature on theatre and the performing arts, new media, and the digital paradigm. It certainly enriches the knowledge base of the field of arts and humanities. Its refinement would only allow it to shine brighter to the advantage of scholars, practitioners, and students, who I am sure, will relish its timely contribution to the currently embattled art of the theatre. (Aikaterini Delikonstantinidou, European Journal of American Studies, Issue 1, 2021)


“This book is a valuable addition to anglophone literature on theatre and the performing arts, new media, and the digital paradigm. It certainly enriches the knowledge base of the field of arts and humanities. Its refinement would only allow it to shine brighter to the advantage of scholars, practitioners, and students, who I am sure, will relish its timely contribution to the currently embattled art of the theatre.” (Aikaterini Delikonstantinidou, European Journal of American Studies, Issue 1, 2021)


Author Information

Nadja Masura is a former MITH Fellow with degrees in Theatre from University of Maryland, Michigan, & Puget Sound, USA.  She also holds degrees in Multimedia Authoring & Integration and Graphics Design. Nadja is a director, dramaturg, and artist and has worked in arts NPOs and the tech industry.

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