Overview

"The intriguing history of Dickens's London, showing how tourists have reimagined and reinvented the Dickensian metropolis for more than 150 years Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations--dubbed ""Dickensland""--that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined. Lee Jackson traces the fascinating history of Dickensian tourism, exploring both real Victorian London and a fictional city shaped by fandom, tourism, and heritage entrepreneurs. Beginning with the late nineteenth century, Jackson investigates key sites of literary pilgrimage and their relationship with Dickens and his work, revealing hidden, reinvented, and even faked locations. From vanishing coaching inns to submerged riverside stairs, hidden burial grounds to apocryphal shops, Dickensland charts the curious history of an imaginary world."

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Lee Jackson is a well-known Victorianist and creator of the preeminent website on Victorian London (victorianlondon.org). He is the author of Dirty Old London: The Victorian Fight Against Filth and Walking Dickens' London. He lives in London. Hannah Curtis is from the UK and has been acting and narrating for over twenty years. She starred for a long time in British soap Hollyoaks. She has had roles in movies such as The Heavy and guest-starred on ER, in addition to appearing in many TV commercials across Europe and America. She has recorded many audiobooks, including Wave, Dark Eden, The Widow and Queen Anne, and The Pigeon Pie Mystery. Hannah has enjoyed narrating a range of fiction, nonfiction, comedy, and thrillers, using many different accents. She has a home studio and enjoys spending time narrating and recording from there.

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