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OverviewIn the first monograph on W. S. Merwin to appear since his death in 2019, Feng Dong focuses on the dialectical movement of desire and infinity that ensouls the poet's entire oeuvre. His analysis foregrounds what Merwin calls ""the other side of despair,"" the opposite of humans' articulated personal and social agonies. Feng finds these presences in Merwin's evocations of what lingers on the edge of constantly updated socio-symbolic frameworks: surreal encounters, spiritual ecstasies, and abyssal freedoms. By examining Merwin's lifelong engagement with psychic fantasies, anonymous holiness, entities both natural and supernatural, and ghostly ancestors, Feng uncovers a precarious relation with the unarticulated, unrealized side of existence. Drawing on theories from Lacan, Žižek, Levinas, and Heidegger, Desire and Infinity in W. S. Merwin's Poetry reads a metaphysical possibility into the poet's work at the intersection between contemporary poetics, philosophy, and psychoanalysis. Full Product DetailsAuthor: Feng DongPublisher: Louisiana State University Press Imprint: Louisiana State University Press Weight: 0.333kg ISBN: 9780807176115ISBN 10: 0807176117 Pages: 216 Publication Date: 30 December 2021 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsIt is no surprise to discover a Lacanian poet in W. S. Merwin, for whoever has glanced at his towering mass of poems will have noted the relevance of terms like the Thing, the Real outside language, or an Other jouissance, but what is truly surprising is to see how subtly and lightly, how deftly and deeply these concepts can limn an entire body of work. Feng Dong's brilliant synthesis conjures up the figure of an American Hoelderlin who avoided visionary madness by realizing an erotic ecology, by making one with his sexual paradise.-- Jean-Michel Rabate, professor of English and comparative literature, University of Pennsylvania W. S. Merwin surely was one of the greatest American poets of his generation. In a career of nearly seven decades, he created a poetic oeuvre that was unique in its imaginative reach, its moral clarity, and its deep engagement with the history of world literature. How fitting that now a distinguished young Chinese poet-scholar of English and European poetry, Feng Dong, has written the most penetrating and original study of Merwin's work thus far. Drawing on a double frame of Lacanian psychoanalysis and post-Heideggerean philosophy, Feng Dong closely attends as well to individual poems and the trajectory of Merwin's life and works. He shares with his protagonist an understanding of poetry's liminal powers, writing Poetry carries with it a phantasmal inner force that constantly breaches its own form. In the end, as he considers the ever-evolving dynamic between notions of finitude and oblivion in Merwin's poems, Feng Dong reveals not only the consequences of Merwin's genius, but also the sources of his melancholy.-- Susan Stewart, Avalon Foundation University Professor in the Humanities, Princeton University As he traces the dynamic of propulsion toward the infinite--followed by necessary withdrawal--Feng reveals the nuances of Merwin's profound grief and yet relentless mysticism. Like Merwin's decade-spanning poetry, Feng's work is a gift: it's focused, and yet expansive; it's a much-needed inflection point in Merwin scholarship; and though it is not a primary aim, Feng provides one of the most illuminatory ways of seeing Merwin's ecopoetics to date.-- Aaron M. Moe, author of Ecocriticism and the Poiesis of Form: Holding on to Proteus It is no surprise to discover a Lacanian poet in W. S. Merwin, for whoever has glanced at his towering mass of poems will have noted the relevance of terms like the Thing, the Real outside language, or an Other jouissance, but what is truly surprising is to see how subtly and lightly, how deftly and deeply these concepts can limn an entire body of work. Feng Dong's brilliant synthesis conjures up the figure of an American Hoelderlin who avoided visionary madness by realizing an erotic ecology, by making one with his sexual paradise. As he traces the dynamic of propulsion toward the infinite-followed by necessary withdrawal-Feng reveals the nuances of Merwin's profound grief and yet relentless mysticism. Like Merwin's decade-spanning poetry, Feng's work is a gift: it's focused, and yet expansive; it's a much-needed inflection point in Merwin scholarship; and though it is not a primary aim, Feng provides one of the most illuminatory ways of seeing Merwin's ecopoetics to date. W. S. Merwin surely was one of the greatest American poets of his generation. In a career of nearly seven decades, he created a poetic oeuvre that was unique in its imaginative reach, its moral clarity, and its deep engagement with the history of world literature. How fitting that now a distinguished young Chinese poet-scholar of English and European poetry, Feng Dong, has written the most penetrating and original study of Merwin's work thus far. Drawing on a double frame of Lacanian psychoanalysis and post-Heideggerean philosophy, Feng Dong closely attends as well to individual poems and the trajectory of Merwin's life and works. He shares with his protagonist an understanding of poetry's liminal powers, writing Poetry carries with it a phantasmal inner force that constantly breaches its own form. In the end, as he considers the ever-evolving dynamic between notions of finitude and oblivion in Merwin's poems, Feng Dong reveals not only the consequences of Merwin's genius, but also the sources of his melancholy. It is no surprise to discover a Lacanian poet in W. S. Merwin, for whoever has glanced at his towering mass of poems will have noted the relevance of terms like the Thing, the Real outside language, or an Other jouissance, but what is truly surprising is to see how subtly and lightly, how deftly and deeply these concepts can limn an entire body of work. Feng Dong's brilliant synthesis conjures up the figure of an American Hoelderlin who avoided visionary madness by realizing an erotic ecology, by making one with his sexual paradise.-- Jean-Michel Rabate, professor of English and comparative literature, University of Pennsylvania W. S. Merwin surely was one of the greatest American poets of his generation. In a career of nearly seven decades, he created a poetic oeuvre that was unique in its imaginative reach, its moral clarity, and its deep engagement with the history of world literature. How fitting that now a distinguished young Chinese poet-scholar of English and European poetry, Feng Dong, has written the most penetrating and original study of Merwin's work thus far. Drawing on a double frame of Lacanian psychoanalysis and post-Heideggerean philosophy, Feng Dong closely attends as well to individual poems and the trajectory of Merwin's life and works. He shares with his protagonist an understanding of poetry's liminal powers, writing Poetry carries with it a phantasmal inner force that constantly breaches its own form. In the end, as he considers the ever-evolving dynamic between notions of finitude and oblivion in Merwin's poems, Feng Dong reveals not only the consequences of Merwin's genius, but also the sources of his melancholy.-- Susan Stewart, Avalon Foundation University Professor in the Humanities, Princeton University As he traces the dynamic of propulsion toward the infinite--followed by necessary withdrawal--Feng reveals the nuances of Merwin's profound grief and yet relentless mysticism. Like Merwin's decade-spanning poetry, Feng's work is a gift: it's focused, and yet expansive; it's a much-needed inflection point in Merwin scholarship; and though it is not a primary aim, Feng provides one of the most illuminatory ways of seeing Merwin's ecopoetics to date.-- Aaron M. Moe, author of Ecocriticism and the Poiesis of Form: Holding on to Proteus Author InformationFeng Dong is associate professor of English at Qingdao University in China. His essays and reviews have appeared in College Literature, Critical Inquiry, Journal of Modern Literature, and other journals. Tab Content 6Author Website:Countries AvailableAll regions |