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OverviewFull Product DetailsAuthor: Jay BeckPublisher: Rutgers University Press Imprint: Rutgers University Press Dimensions: Width: 15.20cm , Height: 1.00cm , Length: 22.90cm Weight: 0.528kg ISBN: 9780813564135ISBN 10: 0813564131 Pages: 274 Publication Date: 07 April 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgments1 Introduction: The State of the ArtPart One General Trends (1965–1971)2 The British Invasion3 TV and Documentary’s Influence on Sound Aesthetics4 New Voices and Personal Sound Aesthetics, 1970–1971Part Two Director Case Studies (1968–1976)5 Francis Ford Coppola: American Zoetrope and Collective Filmmaking6 Robert Altman’s Collaborative Sound Work7 Martin Scorsese’s Dialectical SoundPart Three The Dolby Stereo Era (1975–1980)8 The Sound of Music: Dolby Stereo and Music in the New American Cinema9 The Sound of Spectacle: Dolby Stereo and the New Classicism10 The Sound of Storytelling: Dolby Stereo and the Art of Sound DesignNotesBibliographyIndexReviews"“Presenting strong, original research, Designing Sound examines a period of remarkable and often overlooked experimentation with sound in American cinema during the 1960s and 1970s."" -- Steve J. Wurtzler * author of Electric Sounds: Technological Change and the Rise of Corporate Mass Media *" -Presenting strong, original research, Designing Sound examines a period of remarkable and often overlooked experimentation with sound in American cinema during the 1960s and 1970s.---Steve J. Wurtzler -author of Electric Sounds: Technological Change and the Rise of Corporate Mass Media - Presenting strong, original research, Designing Sound examines a period of remarkable and often overlooked experimentation with sound in American cinema during the 1960s and 1970s. --Steve J. Wurtzler author of Electric Sounds: Technological Change and the Rise of Corporate Mass M Author InformationJAY BECK is an associate professor of cinema and media studies at Carleton College in Northfield, Minnesota. In addition to co-founding the Sound Studies Special Interest Group of the Society for Cinema and Media Studies, he is the American coeditor of the journal Music, Sound, and the Moving Image. He has also coedited Lowering the Boom: Critical Studies in Film Sound. Tab Content 6Author Website:Countries AvailableAll regions |
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