Overview

Are digital interfaces controlling more than we realise? Can designers take responsibility, and should they? From domestic appliances like Siri and Amazon Echo, to large scale Facebook manipulation and Google search prediction, digital interfaces are ubiquitous in everyday life and their influences affect how people live, feel and behave. As they grow in complexity and increase integration into our lives we need to address the social, ethical, political and aesthetic responsibilities of those designing and creating the computer systems all around us. Through discussion with cutting-edge designers and thinkers and with international examples, the authors explain how we need an expanded aesthetic, critical and ethical awareness on the part of designers willing to act with sensitivity and understanding towards the people they design for and with. This critical take on the process and implications of interface design looks beyond the mechanics of making, and into the techno-political realm of deliberate and unintended consequences.

Full Product Details

Author:   Ben Stopher (Royal College of Art and London College of Communication, UK) ,  John Fass (London College of Communication, UK) ,  Eva Verhoeven (London College of Communication, UK) ,  Tobias Revell (London College of Communication, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Bloomsbury Visual Arts
Weight:   0.398kg
ISBN:  

9781350068278

ISBN 10:   1350068276
Pages:   176
Publication Date:   12 August 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

List of Figures List of Contributors Preface Introduction: What are digital interfaces? Technological Interfaces Cultural Interfaces Historical Interfaces What does an interface designer do? Theoretical Perspectives and Frameworks 1. Complexity and Fragmentation Fragmented distribution Fragmented devices Fragmented attention Technological approaches Design approaches Research Methods 2. Social Interfaces Design for Social Impact Soft Interfaces: Healthcare and Loneliness Accessibility: Democratization of Tools Collaborative Interfaces: Beyond Western-Centrism Interfaces for Sociality Constructing Social Identities 3. Legal and Political Interfaces Political Interfaces Entangled Interfaces The Political Action of Interfaces A History of Critical Practice Openness and Access Inscrutability and Opacity Critical Interfaces 4. Ethical Interfaces Design as exploitation Unforeseen consequences Legislation Ethical legibility Ethical design cultures Futuring ethical principles Ethical designers 5. Aesthetic Interfaces Aesthetics and the Senses Cultural aesthetics and meaning Aesthetics for use Aesthetics for Empathy 6. Uncertainty, Deviance and Futures Embracing Uncertainty Science-Fiction and Design Design Fiction Design Imaginaries Deviant Interfaces 7. Interviews Anab Jain Dan Lockton Mushon Zer-Aviv Sarah Gold Glossary References Index Acknowledgements

Reviews

Design and Digital Interfaces is reader-friendly by module, chapter, or jumping to the color-coded content most relevant to the reader's interests ... [an] elegantly designed, innovative, and powerful book. * Society for Technical Communication *

Design and Digital Interfaces is reader-friendly by module, chapter, or jumping to the color-coded content most relevant to the reader’s interests ... [an] elegantly designed, innovative, and powerful book. * Society for Technical Communication *

Author Information

Ben Stopher is Programme Director: Interactive & Visual Communication at the London College of Communication, University of the Arts London. He has extensive experience as a practitioner and creative consultant in communication and digital design. John Fass has been a designer and art director for fifteen years working in photography, information architecture, user experience design, interaction design and design research. He is course leader for Information and Interface Design at the London College of Communication, and PhD Researcher at the Royal College of Art, London. Tobias Revell holds an MA in Design Interactions at the Royal College of Art from which he graduated in July 2012. He is one of the course leaders for BA Information & Interface Design at the London College of Communication. Dr Eva Verhoeven was awarded her PhD in Digital Creative Practice from Wimbledon School of Art/University. She is Course Leader of MA Interaction Design Communication at the London College of Communication

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