Descended from Hercules: Biopolitics and the Muscled Male Body on Screen

Awards:   Winner of Winner, 2017 American Association for Italian Studies Book Award in Film and Media Studies.
Author:   Robert A. Rushing
Publisher:   Indiana University Press
ISBN:  

9780253022509


Pages:   224
Publication Date:   15 October 2016
Format:   Paperback
Availability:   In Print   Availability explained
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Descended from Hercules: Biopolitics and the Muscled Male Body on Screen


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Awards

  • Winner of Winner, 2017 American Association for Italian Studies Book Award in Film and Media Studies.

Overview

Muscles, six-pack abs, skin, and sweat fill the screen in the tawdry and tantalizing peplum films associated with epic Italian cinema of the 1950s and 1960s. Using techniques like slow motion and stopped time, these films instill the hero's vitality with timeless admiration and immerse the hero's body in a world that is lavishly eroticized but without sexual desire. These ""sword and sandal"" films represent a century-long cinematic biopolitical intervention that offers the spectator an imagined form of the male body-one free of illness, degeneracy, and the burdens of poverty-that defends goodness with brute strength and perseverance, and serves as a model of ideal citizenry. Robert A. Rushing traces these epic heroes from Maciste in Cabiria in the early silent era to contemporary transnational figures like Arnold Schwarzenegger in Conan the Barbarian, and to films such as Zach Snyder's 300. Rushing explores how the very tactile modes of representation cement the genre's ideological grip on the viewer.

Full Product Details

Author:   Robert A. Rushing
Publisher:   Indiana University Press
Imprint:   Indiana University Press
Dimensions:   Width: 15.20cm , Height: 1.50cm , Length: 22.90cm
Weight:   0.295kg
ISBN:  

9780253022509


ISBN 10:   0253022509
Pages:   224
Publication Date:   15 October 2016
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Acknowledgements A Note on Film Titles and Foreign Language Citations Introduction: Descended from Hercules: A Peplum Genealogy 1. Nos Morituri: Time in the Peplum 2. Pre/Post: Sexuality in the Peplum 3. Skin Flicks: The Haptic Peplum 4. Immune Systems: The Peplum as Biopolitical Genre Conclusion: Biopolitical Fantasy Filmography Works Cited Index

Reviews

A pleasure to read, cover to cover. This book is smartly conceived, and written with elegant and persuasive prose. -David A. Gerstner, author of Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic


"""One of the most unappreciated and oft-mocked genres of the 1960s, the Italian sword-and-sandal films are generally given the short shrift by critics, historians, and film fans alike. Therefore, anytime an entire book is devoted to the films of Hercules and his godlike brethren it is cause for celebration. [... Rushing] presents a fascinating historical overview of the genre."" * Cinema Retro * Despite the broad swath of the cultural terrain covered, the book presents a meaningful analysis of the peplum genre's longitudinal engagement with nationalist ideologies. * Choice *"


A pleasure to read, cover to cover. This book is smartly conceived, and written with elegant and persuasive prose. David A. Gerstner, author of Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic


Despite the broad swath of the cultural terrain covered, the book presents a meaningful analysis of the peplum genre's longitudinal engagement with nationalist ideologies. -Choice A pleasure to read, cover to cover. This book is smartly conceived, and written with elegant and persuasive prose. -David A. Gerstner, author of Queer Pollen: White Seduction, Black Male Homosexuality, and the Cinematic


Author Information

Robert A. Rushing is Associate Professor of Italian and Comparative Literature at the University of Illinois, Urbana-Champaign, where he also holds affiliate appointments in Media and Cinema Studies and the Unit for Criticism and Interpretive Theory. He is author of Resisting Arrest: Detective Fiction and Popular Culture and co-editor of Mad Men, Mad World: Sex, Politics, Style, and the 1960s.

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