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OverviewIn the aftermath of the 2016 US elections, Brexit, and a global upsurge of nationalist populism, it is evident that the delirium and the crisis of neoliberal capitalism is now the delirium and crisis of liberal democracy and its culture. And though capitalist crisis does not begin within art, art can reflect and amplify its effects, to positive and negative ends. In this follow-up to his influential 2010 book, Dark Matter: Art and Politics in the Age of Enterprise Culture, Sholette engages in critical dialogue with artists' collectives, counter-institutions, and activist groups to offer an insightful, firsthand account of the relationship between politics and art in neoliberal society. Sholette lays out clear examples of art's deep involvement in capitalism: the dizzying prices achieved by artists who pander to the financial elite, the proliferation of museums that contribute to global competition between cities in order to attract capital, and the strange relationship between art and rampant gentrification that restructures the urban landscape. With a preface by noted author Lucy R. Lippard and an introduction by theorist Kim Charnley, Delirium and Resistance draws on over thirty years of critical debates and practices both in and beyond the art world to historicize and advocate for the art activist tradition that radically - and, at times, deliriously - entangles the visual arts with political struggles. Full Product DetailsAuthor: Gregory Sholette , Kim Charnley , Lucy R. LippardPublisher: Pluto Press Imprint: Pluto Press Dimensions: Width: 15.00cm , Height: 2.00cm , Length: 23.00cm Weight: 0.472kg ISBN: 9780745336848ISBN 10: 0745336841 Pages: 320 Publication Date: 20 April 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Figures Abbreviations Acknowledgements Foreword: Is Another Art World Possible? - Lucy R. Lippard Art on the Brink: Bare Art and the Crisis Of Liberal Democracy - Kim Charnley Part I: Art World Introduction I: Welcome to Our Art World 1. Fidelity, Betrayal, Autonomy: Within and Beyond the Post-Cold War Art Museum 2. Let's Do It Again Comrades, Let's Occupy the Museum! 3. Bare Art, Debt, Oversupply, Panic! (On the Contradictions of a Twenty-First-Century Art Education) Part II: Cities Without Souls Introduction II: Naturalizing the Revanchist City 4. Nature as an Icon of Urban Resistance on NYC's Lower East Side, 1979-1984 5. Mysteries of the Creative Class, or, I Have Seen the Enemy and They Is Us 6. Occupology, Swarmology, Whateverology: The City of Disorder versus the People's Archive 7. Art After Gentrification Part III: Resistance Introduction III: Critical Praxis/Partisan Art 8. Counting on Your Collective Silence: Notes on Activist Art as Collaborative Practice 9. Dark Matter: Activist Art and the Counter-Public Sphere 10. On the Maidan Uprising and Imaginary Archive, Kiev 11. Delirium and Resistance After the Social Turn Postscript: December 2016 Notes Bibliography IndexReviews'Read this book and you will never see contemporary art the same way again.' -- Guerrilla Girls 'Sholette is representative of a new artist type that emerged after Conceptualism in that his work as a critic, theorist, and curator is central to his practice as an artist. He is one of the most cogent artist-theorists currently working in the domain of social practice art' -- Andrew Hemingway, Professor Emeritus of Art History, University College London 'Shifting between artistic practice, curating, writing, and activism Gregory Sholette has been surfing the waves of activist art for more than three decades' -- Gerald Raunig, philosopher and author of DIVIDUUM: Machinic Capitalism and Molecular Revolution, Part 1 (2016) 'A timely contribution to this ongoing global conversation between several generations of art activists around the ways in which their practice weaves between the contexts of art display, political campaigning and social movements' -- Frieze 'Shifting between artistic practice, curating, writing, and activism Gregory Sholette has been surfing the waves of activist art for more than three decades' -- Gerald Raunig, philosopher and author of DIVIDUUM: Machinic Capitalism and Molecular Revolution, Part 1 (2016) 'Sholette is representative of a new artist type that emerged after Conceptualism in that his work as a critic, theorist, and curator is central to his practice as an artist. He is one of the most cogent artist-theorists currently working in the domain of social practice art.' -- Andrew Hemingway, Professor Emeritus of Art History, University College London 'Read this book and you will never see contemporary art the same way again.' -- Guerrilla Girls Read this book and you will never see contemporary art the same way again. So much of what's wrong with the global economy is wrong with the establishment art world and Gregory Sholette has been examining this for a long time in everything he does as an art person. In the many art worlds that exist, we're happy and proud to be a part of Gregory's. -- Guerrilla Girls Sholette is representative of a new artist type that emerged after Conceptualism in that his work as a critic, theorist, and curator is central to his practice as an artist. No-one else has come up with a category that rivals dark matter as a hermeneutic for analysing the current political economy of art and the economic situation of artists, in all their variety. No-one else has quite the long-term commitment to collective practice or the record of publications on the theme. He is one of the most cogent artist-theorists currently working in the domain of social practice art. -- Andrew Hemingway, Professor Emeritus of Art History, University College London Shifting between artistic practice, curating, writing, and activism Gregory Sholette has been surfing the waves of activist art for more than three decades. His work is based on the multitude of lines drawn from the political art of the 20th Century and expanding its realm as it reaches out to the transversal activisms of the 21st Century. Delirium and Resistance is a manifesto documenting these developments in their broadest forms, from 1980s anti-gentrification efforts and 1990s tactical media practitioners, to the post-occupy-practices of our current circumstances. -- Gerald Raunig, philosopher and author of DIVIDUUM: Machinic Capitalism and Molecular Revolution, Part 1 (2016) Author InformationGregory Sholette is a New York City based artist, writer and core member of the activist art collective Gulf Labor Coalition. He is the author of Delirium and Resistance (Pluto, 2017), Dark Matter (Pluto, 2010) and co-author of It's The Political Economy, Stupid (Pluto, 2013). He currently teaches in the Queens College Art Department, City University of New York. Kim Charnley is an art theorist and art historian based at Plymouth College of Art, whose work examines the relationship between politics and contemporary art. He is editor of Delirium and Resistance (Pluto, 2017). 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