Overview

This book is an original exploration of Deleuze's dynamic philosophies of space, time and language, bringing Deleuze and futurism together for the first time. Helen Palmer investigates both the potential for creative novelty and the pitfalls of formalism within both futurist and Deleuzian linguistic practices. Through creative and rigorous analyses of Russian and Italian futurist manifestos, the 'futurist' aspects of Deleuze's language and thought are drawn out. The genre of the futurist manifesto is a literary and linguistic model which can be applied to Deleuze's work, not only at times when he writes explicitly in the style of a manifesto but also in his earlier writings such as Difference and Repetition (1968) and The Logic of Sense (1969). The way in which avant-garde manifestos often attempt to perform and demand their aims simultaneously, and the problems which arise due to this, is an operation which can be perceived in Deleuze's writing. With a particular focus on Russian zaum, the book negotiates the philosophy behind futurist 'nonsense' language and how Deleuze propounds analogous goals in The Logic of Sense. This book critically engages with Deleuze's poetics, ultimately suggesting that multiple linguistic models operate synecdochically within his philosophy.

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9781472521897

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Reviews

This important new study sheds more light on a movement that has profoundly influenced the development of literature and the arts in the 20th century internationally. While there are excellent books dealing with futurism, the avant-garde, and Deleuze's philosophy individually, there is no book bringing together those two topics for comparison like this book does. It highlights for the first time the connection between the futurist manifestoes and Deleuze's philosophical writings, from both a conceptual and a linguistic perspective Anna Lawton, Words in Revolution: Russian Futurists Manifestoes 1912-1928, ed., tr.

Author Information

Helen Palmer is a Lecturer in the Department of English and Comparative Literature at Goldsmiths, University of London, UK.

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