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Overview"This work aims to re-ignite debates about film as an art form - as part of an aesthetic process which incorporates the ""bodies"" of our material, technological and molecular worlds. The author suggests that these different perceptions of ""body"" are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness. Through discussions of ""Orlando"", ""The English Patient"", ""Romeo and Juliet"", ""Strange Days"" and ""Leon"", the book posits a creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and ""becoming-woman"" - and contemporary film studies." Full Product DetailsAuthor: Barbara M. KennedyPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 2.40cm , Length: 23.40cm Weight: 0.539kg ISBN: 9780748611348ISBN 10: 0748611347 Pages: 240 Publication Date: 14 December 2000 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In stock We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviewsKennedy treats the artistry of cinema in a fresh and engaging way. This is a superb foray into the emergent area of Deleuzian inspired film-philosophy. -- Scope Kennedy treats the artistry of cinema in a fresh and engaging way. This is a superb foray into the emergent area of Deleuzian inspired film-philosophy. -- Scope Kennedy treats the artistry of cinema in a fresh and engaging way. This is a superb foray into the emergent area of Deleuzian inspired film-philosophy. Author InformationBarbara Kennedy is Senior Lecturer in Film and Cultural Studies at the University of Staffordshire. Tab Content 6Author Website:Countries AvailableAll regions |