Defeated Masculinity: Post-Traumatic Cinema in the Aftermath of War

Author:   Dominique Nasta ,  Raya Morag
Publisher:   Presses Interuniversitaires Europeennes
Edition:   New edition
Volume:   4
ISBN:  

9789052014692


Pages:   298
Publication Date:   24 February 2009
Format:   Paperback
Availability:   Out of stock   Availability explained
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Defeated Masculinity: Post-Traumatic Cinema in the Aftermath of War


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Overview

The burgeoning field of trauma and cinema is an exciting development within contemporary trauma studies. The author of this book describes the complex relationship between cinema and the trauma of defeat in war. An asymmetric and non-binary comparison of two test cases, post-World War II New German Cinema and post-Vietnam War American cinema, illuminates the indirect and intriguing ways these societies have dealt with the enormous psycho-cultural difficulty of acknowledging their defeat and understanding its manifold meanings. This book draws on psychoanalysis, masculinity studies, and corporeal feminism to explore the bodily experience of defeat. It examines themes and representations of body and sexuality to create a theoretical framework that reveals anew the link between defeated masculinity and nationalism. Building on an original analysis of such varied films as The Deer Hunter, Full Metal Jacket, The Tin Drum, and Paris Texas, the author suggests new criteria that highlight the characteristics of post-traumatic cinema.

Full Product Details

Author:   Dominique Nasta ,  Raya Morag
Publisher:   Presses Interuniversitaires Europeennes
Imprint:   Presses Interuniversitaires Europeennes
Edition:   New edition
Volume:   4
Weight:   0.420kg
ISBN:  

9789052014692


ISBN 10:   9052014698
Pages:   298
Publication Date:   24 February 2009
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Contents: Post-Traumatic Cinema – Identity, Identification, and Sexuality – The Infantile Asexual Model – The Utopian Bisexual Model – The Transsexual Model – Post-Traumatic NGC Models – Captivity, Crisis, and Fantasy – The Asexual Hyper-Masculine Model – The Homoerotic Model – The Impotent Model – Post-Traumatic Vietnam War Cinema Models.

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Author Information

The Author: Raya Morag is an assistant professor of cinema studies at the Department of Communication & Journalism, the Hebrew University of Jerusalem. She has published articles on trauma and terror, sound, gender, body and sexuality, and current Israeli cinema in such journals as Camera Obscura, Framework, The Journal of Film and Video and The Communication Review.

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