Deep Fakes: A Critical Lexicon for Digital Museology

Author:   Sarah Kenderdine ,  Lily Hibberd (Unsw Sydney, Australia)
Publisher:   Taylor & Francis Ltd
ISBN:  

9781032369143


Pages:   280
Publication Date:   11 November 2025
Format:   Hardback
Availability:   Not yet available   Availability explained
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Deep Fakes: A Critical Lexicon for Digital Museology


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Author:   Sarah Kenderdine ,  Lily Hibberd (Unsw Sydney, Australia)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.690kg
ISBN:  

9781032369143


ISBN 10:   1032369140
Pages:   280
Publication Date:   11 November 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Not yet available   Availability explained
This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release.

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Lily Hibberd is an interdisciplinary artist, academic, and writer working on questions around frontiers of time, memory, and the cosmos. Presented in more than fifty international exhibitions and festivals, her work combines performance, writing, painting, photography, sound, moving images, and installation art. She is the founding editor of the art writing publication un Magazine and a frequent author and co-author of books, essays, and journal articles. Dr Lily Hibberd is a researcher at Université Paris Cité and EPFL Laboratory for Experimental Museology, and Adjunct Lecturer at UNSW Sydney. Sarah Kenderdine is Professor of Digital Museology at the École polytechnique fédérale de Lausanne (EPFL), Switzerland. She leads the Laboratory for Experimental Museology (eM+), exploring the convergence of immersive visualization, digital aesthetics, and cultural big data. Sarah directed EPFL Pavilions from 2017 to 2024, and now leads international touring exhibitions as curator-at-large. She is Corresponding Fellow of the British Academy, Visiting Professor at Hong Kong Baptist University, and Adjunct Professor at UNSW Sydney. Sarah has produced more than one hundred exhibitions for museums worldwide and numerous scholarly publications.

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