Death in Classical Hollywood Cinema

Author:   B. Hagin
Publisher:   Palgrave Macmillan
ISBN:  

9780230236226


Pages:   201
Publication Date:   09 April 2010
Format:   Hardback
Availability:   In Print   Availability explained
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Death in Classical Hollywood Cinema


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Overview

Boaz Hagin carries out a philosophical examination of the issue of death as it is represented and problematized in Hollywood cinema of the classical era (1920s-1950s) and in later mainstream films, looking at four major genres: the Western, the gangster film, melodrama and the war film.

Full Product Details

Author:   B. Hagin
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 15.20cm , Height: 1.40cm , Length: 22.90cm
Weight:   0.461kg
ISBN:  

9780230236226


ISBN 10:   0230236227
Pages:   201
Publication Date:   09 April 2010
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

The Meaning of Death in Classical Hollywood  Two Platos: Death, Truth and Knowledge  Embodying the Past Melodrama and the Shaping of Desires to Come The Cult of the Dead and Powers of the False A Perpetual Present: Death and the War Film Conclusions: The End of Classical Death Notes Bibliography Index

Reviews

'This highly original study is a rigorous, provocative and entertaining account of the different meanings associated with death in classical Hollywood cinema. Analyzing an impressive range of films with flair and theoretical sophistication, it shows how death becomes meaningful in art. This is an important work on Hollywood film which also helps us to understand how we incorporate the death of others into the narrative of our lives.' - Colin Davis, Professor of French, Royal Holloway, University of London, UK


Author Information

BOAZ HAGIN teaches at the Department of Film and Television at Tel Aviv University, Israel. His articles have appeared in Cinema Journal and Camera Obscura, among other publications. He is currently co-writing a book with Thomas Elsaesser on trauma, memory and fantasy in contemporary American cinema.

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