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OverviewRobert Rowland Smith takes Freud's work on the death-drive and compares it with other philosophies of death--Pascal, Heidegger and Derrida in particular. He also applies it in a new way to literature and art - to Shakespeare, Rothko and Katharina Fritsch, among others. He asks whether artworks are dead or alive, if artistic creativity isn't actually a form of destruction, and whether our ability to be seduced by fine words means we don't put our selves at risk of death.In doing so, he proposes a new theory of aesthetics in which artworks and literary texts have a death-drive of their own, not least by their defining ability to turn away from all that is real, and where the effects of the death-drive mean that we are constantly living in imaginary, rhetorical or 'artistic' worlds. The book also provides a valuable introduction to the rich tradition of work on the death-drive since Freud. Full Product DetailsAuthor: Robert Rowland SmithPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9780748671601ISBN 10: 0748671609 Publication Date: 20 September 2012 Audience: General/trade , General Format: Undefined Publisher's Status: Active Availability: Temporarily unavailable  The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of ContentsReviewsAuthor InformationRobert Rowland Smith is Independent Scholar at the Tab Content 6Author Website:Countries AvailableAll regions |
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