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OverviewDeath and the Moving Image explores the impact of gender, race, nation and narration upon death’s dramatics on-screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture’s themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. Full Product DetailsAuthor: Michele AaronPublisher: Edinburgh University Press Imprint: Edinburgh University Press Dimensions: Width: 15.60cm , Height: 2.30cm , Length: 23.40cm Weight: 0.407kg ISBN: 9781474402750ISBN 10: 1474402755 Pages: 272 Publication Date: 31 March 2015 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'Through a series of sophisticated and highly nuanced readings of a wide range of films, Michele Aaron exposes the mortal economies on which cinema depends. This important book will cause readers to think again about the ethical and political stakes of the filmic treatment of death in mainstream cinema and beyond.' Sarah Cooper, King's College London'This compelling and exhaustive study will be a must read for scholars working at the intersection of visual culture and studies of death. Michele Aaron moves through several genres of film and spans the production of films from the 1940s into the 21st century. Specifically, she argues that there is a pervasive aesthetic of self-risk in cinema, a death-drive that secures our several understandings of how contemporary culture masks its own political ends. Moving beyond the psychoanalytic, Aaron ultimately and convincingly demonstrates that it is the ethical in cinema that continues to be denied its proper place, even in the midst of its centrality in the genre. This is bold and welcomed new work.' Sharon P. Holland, Duke University "Through a series of sophisticated and highly nuanced readings of a wide range of films, Michele Aaron exposes the mortal economies on which cinema depends. This important book will cause readers to think again about the ethical and political stakes of the filmic treatment of death in mainstream cinema and beyond.-- ""Sarah Cooper, King's College London"" This compelling and exhaustive study will be a must read for scholars working at the intersection of visual culture and studies of death. Michele Aaron moves through several genres of film and spans the production of films from the 1940s into the 21st century. Specifically, she argues that there is a pervasive aesthetic of self-risk in cinema, a death-drive that secures our several understandings of how contemporary culture masks its own political ends. Moving beyond the psychoanalytic, Aaron ultimately and convincingly demonstrates that it is the ethical in cinema that continues to be denied its proper place, even in the midst of its centrality in the genre. This is bold and welcomed new work.-- ""Sharon P. Holland, Duke University""" Author InformationMichele Aaron is Senior Lecturer in American and Canadian Studies at the University of Birmingham. Tab Content 6Author Website:Countries AvailableAll regions |
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