Overview
How are David Lynch’s films as much in dialogue with literary and musical traditions as they are cinematic ones? By interrogating this question, David Lynch’s American Dreamscape broadens the interpretive horizons of Lynch’s filmography, calling for a new approach to Lynch’s films that goes beyond cinema and visual art to explore how Lynch’s work engages with literary and musical works that have shaped the American imagination. As much as Lynch stands as a singular artistic voice, his work arises from and taps into the cultural zeitgeist in a way that illuminates not only his approach to creativity but also the way works interact with each other in an age of mass media. From children’s literature to teen tragedy ballads, Nathanael West and Cormac McCarthy to folk music and mixtapes, David Lynch’s American Dreamscape investigates the cultural frequencies Lynch’s films tune into and positions Lynch’s work as a conduit for American popular culture, a medium or channel through which the subconscious of American life finds its way into full view. The book expands upon this approach by discussing how artists such as David Foster Wallace and Lana Del Rey graft Lynch’s affiliative, cinematic sensibility onto their own projects. Reading their work as intertextual engagements with Lynch’s films further illustrates the versatile interactions among creators and audiences to generate more works, readers, and readings.
Full Product Details
Author: Mike Miley (Loyola University New Orleans, USA)
Publisher: Bloomsbury Publishing USA
Imprint: Bloomsbury Publishing USA
Dimensions:
Width: 15.00cm
, Height: 2.20cm
, Length: 23.20cm
Weight: 0.560kg
ISBN: 9798765102930
Pages: 288
Publication Date: 06 February 2025
Audience:
College/higher education
,
Tertiary & Higher Education
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
In David Lynch’s American Dreamscape, Mike Miley presents a fascinating new approach to Lynch’s films, treating their intertextuality in a way that expands rather than restricts our understanding of them. Miley adroitly connects literary, filmic, and musicological perspectives in an analytical approach that will prove invaluable and accessible to scholars from many fields in their study of Lynch, one of our most idiosyncratic American filmmakers. Following Lynch himself, Miley’s book gives us more ‘room to dream’ around the filmmaker’s work. * Katherine M. Reed, Associate Professor of Musicology, California State University, Fullerton, USA, and co-editor of Music in Twin Peaks: Listen to the Sounds (2021) *
Author Information
Mike Miley is the author of Truth and Consequences: Game Shows in Fiction and Film (2019) and co-editor of Conversations with Steve Erickson (2021). His writing has appeared in The Atlantic.com, Arizona Quarterly, Critique, Literature/Film Quarterly, Music and the Moving Image, The New Orleans Review, The North Dakota Quarterly, The Smart Set, and elsewhere. He lives in New Orleans.
