Darwin and Theories of Aesthetics and Cultural History

Author:   Barbara Larson ,  Sabine Flach
Publisher:   Taylor & Francis Ltd
Edition:   New edition
ISBN:  

9781409448709


Pages:   188
Publication Date:   10 January 2013
Format:   Hardback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Darwin and Theories of Aesthetics and Cultural History


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Author:   Barbara Larson ,  Sabine Flach
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   New edition
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.544kg
ISBN:  

9781409448709


ISBN 10:   1409448703
Pages:   188
Publication Date:   10 January 2013
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Darwin and Theories of Aesthetics and Cultural History succeeds in raising issues with which its readers will want to continue grappling. -- Dana Carluccio


Author Information

Barbara Larson is Associate Professor of Art History at the University of West Florida. She specializes in intersections between art and science in the nineteenth and twentieth centuries. Her publications include The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon (2005), and The Art of Evolution: Darwin, Darwinisms, and Visual Culture (2009), which she co-edited. Sabine Flach is currently Professor of Contemporary Art and Art Theory at the School of Visual Arts, Department of Fine Arts, New York City. She specializes in modern and contemporary art, aesthetics, aesthesis, and media of embodiment; habitus in habitat; the epistemology and aesthetics of visual thinking; and intersections between art, art theory, art history, and cognitive, neuro-, life sciences, and perceptual psychology. Her publications include: Habitus in Habitat I: Emotion and Motion (2010), Habitus in Habitat II: Other Sides of Cognition (2010), and Habitus in Habitat III: Synaesthesia and Kinaesthetics (2011), which she co-edited, as well as Sensing Senses. Die WissensKunste der Avantgarden. Kunstlerische Theorie und Praxis zwischen Wahrnehmungswissenschaft, Kunst und Medien. 1915-1930 (2013).

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