Overview

In Dante and the Sense of Transgression, William Franke combines literary-critical analysis with philosophical and theological reflection to cast new light on Dante's poetic vision. Conversely, Dante's medieval masterpiece becomes our guide to rethinking some of the most pressing issues of contemporary theory. Beyond suggestive archetypes like Adam and Ulysses that hint at an obsession with transgression beneath Dante's overt suppression of it, there is another and a prior sense in which transgression emerges as Dante's essential and ultimate gesture. His work as a poet culminates in the Paradiso in a transcendence of language towards a purely ineffable, mystical experience beyond verbal expression. Yet Dante conveys this experience, nevertheless, in and through language and specifically through the transgression of language, violating its normally representational and referential functions. Paradiso's dramatic sky-scapes and unparalleled textual performances stage a deconstruction of the sign that is analyzed philosophically in the light of Blanchot, Levinas, Derrida, Barthes, and Bataille, as transgressing and transfiguring the very sense of sense.

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9781441136916

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Written in elegant and astonishingly readable prose, William Franke's volume gives a lucid portrait of a fundamental question that lies at the heart of Dante's Divine Comedy and has resurfaced in contemporary French philosophical reflection: poetic theology as a radical, transgressive mode of knowledge. In mapping the ground of this fascinating debate, William Franke places Dante at the boundaries of thought and recovers the timeliness of his spiritual vision. This book is a must-read for historians of religion, Dante scholars, literary critics, and adepts of cultural studies. Giuseppe Mazzotta, Yale University, USA Can language meaningfully point us to the divine? Is it possible for us to transcend our humanity to touch the mystery which surrounds it? How might the idolatrous projections of our ego be transgressed? These are just some of the questions provoked by William Franke's scintillating book. By bringing Dante's Paradiso and French Theory into mutually illuminating dialogue, Franke invites his readers to explore the outer limits of sense and meaning, and to consider seriously the theological implications of the unknowing at the heart of literary expression. His reflections will spark the interest not only of Dante scholars, theologians and literary theorists, but of anyone interested in probing the connections between literature and theology. Vittorio Montemaggi, University of Notre Dame, USA

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William Franke is Professor of Comparative Literature and Religious Studies at Vanderbilt University, USA. He is an Alexander von Humboldt-Stiftung Fellow, a previous Fulbright University of Salzburg Distinguished Chair in Intercultural Theology and his published books include Dante's Interpretive Journey and Poetry and Apocalypse: Theological Disclosures of Poetic Language.

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