Dance Music Manual: Tools, Toys, and Techniques

Author:   Rick Snoman (Recording and live-mixing engineer) ,  Rick Snoman (Recording and live-mixing engineer, who has worked with the Happy Mondays and The Prodigy; has also remixed Madonna, Filter, Moby, Underworld, and Garbage.) ,  Rick Snoman (Recording and live-mixing engineer, who has worked with the Happy Mondays and The Prodigy; has also remixed Madonna, Filter, Moby, Underworld, and Garbage.)
Publisher:   Taylor & Francis Ltd
Edition:   2nd New edition
ISBN:  

9780240521077


Pages:   538
Publication Date:   19 November 2008
Replaced By:   9780415825641
Format:   Paperback
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Our Price $105.47 Quantity:  
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Dance Music Manual: Tools, Toys, and Techniques


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Overview

Whatever your level of experience, the Dance Music Manual is packed with sound advice, techniques, and practical examples to help you achieve professional results. Written by a professional producer and remixer, this book offers a comprehensive approach to music production, including knowledge of the tools, equipment, and different dance genres. Get more advice and resources from the book's official website, www.dancemusicproduction.com.

Full Product Details

Author:   Rick Snoman (Recording and live-mixing engineer) ,  Rick Snoman (Recording and live-mixing engineer, who has worked with the Happy Mondays and The Prodigy; has also remixed Madonna, Filter, Moby, Underworld, and Garbage.) ,  Rick Snoman (Recording and live-mixing engineer, who has worked with the Happy Mondays and The Prodigy; has also remixed Madonna, Filter, Moby, Underworld, and Garbage.)
Publisher:   Taylor & Francis Ltd
Imprint:   Focal Press
Edition:   2nd New edition
Dimensions:   Width: 18.70cm , Height: 2.80cm , Length: 23.50cm
Weight:   1.157kg
ISBN:  

9780240521077


ISBN 10:   0240521072
Pages:   538
Publication Date:   19 November 2008
Audience:   General/trade ,  Professional and scholarly ,  General ,  Professional & Vocational
Replaced By:   9780415825641
Format:   Paperback
Publisher's Status:   Out of Print
Availability:   In Print   Availability explained
Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock.

Table of Contents

Chapter 1: Sequencing, sequencers and The MIDI protocol Chapter 2: Digital Audio Chapter 3: Synthesizers and Synthesis Chapter 4: Tools of the Trade Chapter 5: Programming Theory Chapter 6: Sampling and sample manipulation Chapter 7: Compression processing and effects Chapter 8: Cables, mixing desks and effects busses Chapter 9: Recording vocals Chapter 10: Recording Instruments Chapter 11: Dance Music Theory 101 Chapter 12: Dance genres: including 2-step garage, Drum'n'Bass, Trance, Hip hop, Chill out, House, Techno, Trip hop Chapter 13: Mixing Chapter 14: Mastering Chapter 15: Publishing and promotion Chapter 16: Remixing and sample clearance Chapter 17: A DJ's perspective

Reviews

In short, Snoman knows what he's talking about...Snoman guides you through the daunting tasks of not only making it sound good but also getting it to the ears of the public. - Remix <br> An exceptionally well-written and researched book combining both the art and science of dance music production...All in all it adds up to quite a package, which deserves a place on any aspiring dance music producer's desk. - Music Tech<br>


In short, Snoman knows what he's talking about...Snoman guides you through the daunting tasks of not only making it sound good but also getting it to the ears of the public. - Remix <br> An exceptionally well-written and researched book combining both the art and science of dance music production...All in all it adds up to quite a package, which deserves a place on any aspiring dance music producer's desk. - Music Tech


Author Information

Rick Snoman has been actively involved in the dance music scene since the late eighties and has produced and released numerous white labels and remixed over thirty professional artists solely for the dance floor. He has held seminars across the UK on remixing and producing club-based dance music and written numerous articles and reviews for leading music technology magazines and websites.

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