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OverviewUsing paratextual theory to address the accusations of gimmickry often directed towards extreme art films, Cultivating Extreme Art Cinema: Text, Paratext, and Home Video Culture focuses upon the DVD and Blu-ray object, analysing how sleeve designs, blurbs, and special features shape the identity of the film and prepare the audience for a particular type of cinematic experience. The book discusses the complex interactions that take place on these commercial artefacts, the ways they communicate to both 'highbrow' and 'lowbrow' audiences, and the manner in which they breach tradition taste distinctions. Including case studies of features like Cannibal Holocaust, Funny Games and Antichrist, the book explores the complicated dichotomies between art and exploitation films to present a fluid history of extreme art cinema. Full Product DetailsAuthor: Simon HobbsPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474427388ISBN 10: 1474427383 Publication Date: 31 May 2020 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"In a deft move, Hobbs looks outside the films of extreme art cinema themselves to determine how their paratextual surroundings play starring roles in establishing ""extremity"" or relative lack thereof. The result is a refreshing and perceptive consideration of film cultures and textualities.--Jonathan Gray, University of Wisconsin, Madison" Author InformationSimon Hobbs is a Lecturer in Visual Culture at the University of Portsmouth. He has published in the areas of extreme art film, exploitation film and paratextual studies. His work has appeared in Transnational Cinemas and Cine-excess, as well as various edited collections. Tab Content 6Author Website:Countries AvailableAll regions |