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OverviewCross-cultural collaboration in popular music represents opportunities for the audibility of multiple voices and the creation of new sounds, but it also presents many challenges. These challenges are both musical – that is, how to technically match voices – and ethical – that is, how to negotiate historically entrenched power discrepancies. Practice-based research has recently developed as a field in popular music studies. This burgeoning area has much to offer in terms of new knowledge, based on embodied insights, lived experience, and an arts practice. Through a practitioner-centred account of three projects involving traditional Persian and Vietnamese musicians, and western folk/rock musicians, this Element suggests pragmatic strategies and conceptual frameworks for making pop music with people of different cultural backgrounds. Full Product DetailsAuthor: Toby Martin (University of Sydney) , Seyed MohammadReza Beladi (University of Huddersfield) , Đăng LanPublisher: Cambridge University Press Imprint: Cambridge University Press Weight: 0.265kg ISBN: 9781009454117ISBN 10: 1009454110 Pages: 86 Publication Date: 16 January 2025 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents1. Introduction; 2. Practice-based research methodologies; 3. Cross-Cultural music making and co-produced research: literature and context; 4. Collaborators' backgrounds; 5. Project 1: songs from Northam avenue; 6. Project 2: song khúc lýợn bay/ two sounds gliding; 7. Project 3: I felt the valley lifting; 8. Conclusions; References.ReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |