Critique of Pure Music

Author:   James O. Young (Professor of Philosophy, Professor of Philosophy, University of Victoria)
Publisher:   Oxford University Press
ISBN:  

9780199682713


Pages:   216
Publication Date:   09 January 2014
Format:   Hardback
Availability:   To order   Availability explained
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Critique of Pure Music


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Overview

Why do we value music? Many people report that listening to music is one of life's most rewarding activities. In Critique of Pure Music, James O. Young seeks to explain why this is so. Formalists tell us that music is appreciated as pure, contentless form. On this view, listeners receive pleasure, or a pleasurable 'musical' emotion, when they explore the abstract patterns found in music. Music, formalists believe, does not arouse ordinary emotions such as joy, melancholy or fear, nor can it represent emotion or provide psychological insight. Young holds that formalists are wrong on all counts. Drawing upon the latest psychological research, he argues that music is expressive of emotion by resembling human expressive behaviour. By resembling human expressive behaviour, music is able to arouse ordinary emotions in listeners. This, in turn, makes possible the representation of emotion by music. The representation of emotion in music gives music the capacity to provide psychological insight-into the emotional lives of composers, and the emotional lives of individuals from a variety of times and places. And it is this capacity of music to provide psychological insight which explains a good deal of the value of music, both vocal and purely instrumental. Without it, music could not be experienced as profound. Philosophers, psychologists, musicians, musicologists, and music lovers will all find something of interest in this book.

Full Product Details

Author:   James O. Young (Professor of Philosophy, Professor of Philosophy, University of Victoria)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 14.50cm , Height: 1.90cm , Length: 22.30cm
Weight:   0.406kg
ISBN:  

9780199682713


ISBN 10:   0199682712
Pages:   216
Publication Date:   09 January 2014
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

1: Music and Expressiveness 2: Music and the Arousal of Emotion 3: The Content of Music 4: Music and Lyrics 5: The Value of Music Bibliography

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Author Information

James O. Young is Professor of Philosophy at the University of Victoria, Canada. He is the author of Global Anti-realism (Avebury, 1995), Art and Knowledge (Routledge, 2001), Cultural Appropriation and the Arts (Wiley-Blackwell, 2008), and more than fifty articles in refereed journals. He is the editor of Aesthetics: The Critical Concepts (Routledge, 2005) and (with Conrad G. Brunk) The Ethics of Cultural Appropriation (Wiley-Blackwell, 2009).

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