Overview

Approaching the use of digital technology in art history from a theoretical perspective. Digital art history has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often left little room for critical examination of the broader implications of digital technology and computational methodologies in art history. A long-standing concern of the field—and a major focal point of this book—is museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are also important shifts and changes to address—namely, the widespread uptake of artificial intelligence tools and increased attention to both the broader historical and societal aspects of the use of digital repositories and tools. This anthology seeks to address the dearth of critical reflection by critically assessing specific case study examples and considering the political dimensions associated with large-scale digitization and the application of digital tools within museums and collection management.

Full Product Details

9781789389760

Table of Contents

Reviews

Author Information

Amanda Wasielewski is Associate Senior Lecturer of Digital Humanities and Associate Professor (Docent) of Art History at Uppsala University, Sweden. Her recent research is on the use of artificial intelligence techniques to study and create art. Anna Näslund is professor of Art History at Stockholm University, Sweden. She has written extensively on various aspects of photography and visual culture, the digital turn, archives and museum practices.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available