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OverviewDigital Art History has often aligned itself with the practical concerns of digital technology and the responsibilities of art institutions and associated institutional roles such as collection managers, information specialists, curators, and conservators. This emphasis on practicalities and implementation, while undeniably important, has often meant that there is little room for critical examination of the broader implications of digital technology and computational methodologies in art history. This anthology seeks to address the dearth of critical reflection by approaching the use of digital technology in art history from a theoretical perspective and critically assessing specific case study examples. This book also considers the political dimensions associated with the large-scale digitization and the application of digital tools within museums and collection management. A long-standing concern of the field—and also a major focal point of this book—is museum and collecting practices in the digital era. While there is a certain degree of continuity in the field, there are some important shifts and changes too. One of the key changes is the widespread uptake of artificial intelligence tools and an increased attention to both the broader historical and societal aspects of the use of digital tools within museums and collection management. Full Product DetailsAuthor: Amanda Wasielewski (Stockholm University) , Anna Näslund (Stockholm University)Publisher: Intellect Imprint: Intellect Books ISBN: 9781835950487ISBN 10: 1835950485 Pages: 210 Publication Date: 08 November 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Forthcoming Availability: Not yet available  This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsForeword Critical Digital Art History: An Introduction Amanda Wasielewski and Anna Näslund Source, surrogate, store, and search: significant sites in post-digitized art history Nina Lager Vestberg Global Digital Museum Narratives: Representation, Authorship, and Audiences Maribel Hidalgo Urbaneja Picturing Platformization: Information Infrastructure in Picture Archives Online Anna Näslund RE:Inventing the Museum: co-creation in digital space Leah Lovett and Valerio Signorelli Deep Art History: Inferences between Google Arts & Culture and Art Lotte Philipsen Zombie Canon: Art datasets, generative AI, and the reanimation of the western canon of art Amanda Wasielewski Hyperformalism: Notes on Machine Vision and Art Historical Method Benjamin Zweig What is at stake at the interface? Agents of Mediation in Digital Curation Kitty Whittell About the authors IndexReviewsAuthor InformationAmanda Wasielewski is Associate Senior Lecturer of Digital Humanities and Associate Professor (Docent) of Art History at Uppsala University, Sweden. Her recent research is on the use of artificial intelligence techniques to study and create art. Anna Näslund is professor of Art History at Stockholm University, Sweden. She has written extensively on various aspects of photography and visual culture, the digital turn, archives and museum practices. Tab Content 6Author Website:Countries AvailableAll regions |
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