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OverviewFull Product DetailsAuthor: Angela HoPublisher: Amsterdam University Press Imprint: Amsterdam University Press Edition: 0 Volume: 1 ISBN: 9789462982970ISBN 10: 946298297 Pages: 272 Publication Date: 19 June 2017 Audience: Professional and scholarly , Adult education , Professional & Vocational , Further / Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsWinner of the 2017 Historians of Netherlandish Art (HNA) Awards on Northern Art! Ho's thesis is a compelling one that goes far in explaining the readily observable phenomena of repetition and invention in seventeenth-century Dutch genre painting. - Wayne Franits, Syracuse University, CAA Reviews April 2018. Read the full review http://www.caareviews.org/reviews/3322#.WvASvaSFNhF >here. [-][-] [-][-]Winner of the 2017 Historians of Netherlandish Art (HNA) Awards on Northern Art! This book offers a vigorous analysis of iteration as stratagem within the painter's arsenal. (...) Ho is to be commended for bringing fresh insights to what has often been a conventional interpretation of repetition and invention in relation to a slew of pictures with which we are now newly acquainted. - Canadian Journal of Netherlandic Studies 2019, Alistair Watkins[-][-] Citing the repetition of motifs and subjects in Dutch Golden Age art as evidence of a conservative, market-driven conventionality has long been a commonplace, yet the nature of convention and repetition is not in actuality self-evident. Angela K. Ho's *Creating Distinctions in Dutch Genre Painting: Repetition and Invention* offers a fresh interrogation of repetition as an artistic strategy [...] The result is a book that often hovers attentively over the connoisseur's shoulder but lingers longest and most satisfyingly at the painter's side. - Elisabeth Berry Drago, Renaissance Quarterly, Volume LXXI I, No. 3[-][-] Ho's thesis is a compelling one that goes far in explaining the readily observable phenomena of repetition and invention in seventeenth-century Dutch genre painting. - Wayne Franits, Syracuse University, CAA Reviews April 2018. Read the full review http://www.caareviews.org/reviews/3322#.WvASvaSFNhF >here. [-][-]Winner of the 2017 Historians of Netherlandish Art (HNA) Grant on Northern Art! Author InformationAngela K. Ho is Assistant Professor of Art History at George Mason University, USA. Tab Content 6Author Website:Countries AvailableAll regions |
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