Creamy Psychology

Awards:   Short-listed for PANZ Book Design Awards: Best Illustrated Book 2015 Shortlisted for PANZ Book Design Awards: Best Illustrated Book 2015.
Author:   Yvonne Todd
Publisher:   Te Herenga Waka University Press
ISBN:  

9780864739773


Pages:   260
Publication Date:   12 May 2014
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Creamy Psychology


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Awards

  • Short-listed for PANZ Book Design Awards: Best Illustrated Book 2015
  • Shortlisted for PANZ Book Design Awards: Best Illustrated Book 2015.

Overview

DECEMBER 2014 Twelve years ago, a young Auckland photographer, Yvonne Todd, became the surprise winner of the first Walters Award. Judge Harald Szeemann confessed that Todd's was 'the work that irritated me the most'. Todd is best known for her portraits of women, her mostly invented female 'characters'. These portraits are typically contrived, and are nostalgically styled and art directed, using costumes, wigs, makeup, and false teeth. For her costumes, Todd scours the Internet to purchase vintage designer gowns, sometimes owned by celebrities whose lives have become synonymous with tragedy, such as Whitney Houston. Many of Todd's characters seem to suffer from some soap-operatic malaise, explicit or implicit. They include cosmeticians, cripples, modest Christians, anorexics, cult members, showgirls and tragic heiresses. Todd incorporates herself into their world, being one of her own favourite models. Her work has a complex relation with feminism. As Todd's oeuvre grows, it incorporates new subjects. In 2009, Todd moved into photographing men. She developed a major portrait series of imagined male corporate executives, as one might see them in company annual reports and prospectuses, redolent with benevolence and gravitas. In 2014, she created a series of portraits of vegans. In addition to her portraits, Todd also produces still lifes and landscapes. She recently started making videos. Creamy Psychology surveys Todd's work since the late 1990s, including her recent Gilbert Melrose project (for which Todd printed the photographs taken by her second cousin in 1957) and her latest photographic series Ethical Minorities (Vegans). It contains new essays by Todd herself, Robert Leonard (on Todd and cults), Misha Kavka (on Todd and daytime TV), Claire Regnault (on Todd the costume fetishist), Megan Dunn (on Todd, Karen Carpenter, and anorexia), and Anthony Byrt (on Todd's Gilbert Melrose project). It also contains an archival section with earlier essays, including key pieces by Leonard, Dunn, Justin Paton, and Justin Clemens. Comprehensively illustrated, Creamy Psychology is the new go-to book on Yvonne Todd. It will be accompanied by a major show at City Gallery Wellington, to open in December. Photographs by Yvonne Todd Essays by Anthony Byrt, Justin Clemens, Megan Dunn, Misha Kavka, Robert Leonard, Justin Paton, Claire Regnault, Yvonne Todd

Full Product Details

Author:   Yvonne Todd
Publisher:   Te Herenga Waka University Press
Imprint:   Victoria University Press
Dimensions:   Width: 17.80cm , Height: 2.80cm , Length: 23.50cm
Weight:   1.020kg
ISBN:  

9780864739773


ISBN 10:   086473977
Pages:   260
Publication Date:   12 May 2014
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Author Information

Twelve years ago, a young Auckland photographer, Yvonne Todd, became the surprise winner of the first Walters Award. Todd is best known for her portraits of women, her mostly invented female 'characters'. These portraits are typically contrived, and are nostalgically styled and art directed, using costumes, wigs, makeup, and false teeth. Many of Todd's characters seem to suffer from some soap-operatic malaise, explicit or implicit. They include cosmeticians, the disabled, modest Christians, anorexics, cult members, showgirls and tragic heiresses. Todd incorporates herself into their world, being one of her own favorite models. Her work has a complex relation with feminism.

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