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Author:   Michael Hughes
Publisher:   John Murray Press
ISBN:  

9781473636552


Pages:   320
Publication Date:   04 April 2019
Format:   Paperback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Full Product Details

Author:   Michael Hughes
Publisher:   John Murray Press
Imprint:   John Murray Publishers Ltd
Dimensions:   Width: 12.90cm , Height: 2.10cm , Length: 19.80cm
Weight:   0.224kg
ISBN:  

9781473636552


ISBN 10:   1473636558
Pages:   320
Publication Date:   04 April 2019
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Reviews

A lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud * The Times * I couldn't put Country down. Tears through the pages at a cracking pace with sharp, smart prose and excellent dialogue * Paul McVeigh * This powerful novel is full of blistering writing that leaps off the page and is perhaps the first great fiction about The Troubles since Dermot Healy * Boundless * Prose that crackles with the vernacular of hard men, yet remains compulsively readable throughout . . . a classic story, and a gritty contemporary thriller, this book is an extraordinary achievement * Stuart Neville * Consistently thrilling . . . By enlisting the visceral power of The Iliad to illustrate the violence of the Troubles . . . Hughes has written a striking, memorable book * Literary Review * A brutal and gripping thriller in its own right . . . a consistently engrossing read, written in Ulster-flavoured prose as rich and evocative as you would expect from a professional thespian * Irish Independent * This is a hard, rigorous and necessary book which grinds out its beauty as the song cycles of empire and resistance fall silent, choked in their own blood * Irish Times * Country explodes with verbal invention, rapid juxtaposition, brutality and fun . . . Hughes's linguistic dexterity, his ear for dialogue, his understanding of character, the energy of his prose * TLS * A bold, imaginative second novel * The Spectator * The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer's hexameter * Guardian * By tapping into western literature's greatest war story Hughes reveals the elemental brutality of the Troubles...his greatest triumph is that he renders it all in a lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud * The Times *


A re-telling of Homer's Iliad set in Northern Ireland; it's a gritty thriller complete with all the violence and beauty of Ancient Greece. This powerful novel is full of blistering writing that leaps off the page and is perhaps the first great fiction about The Troubles since Dermot Healy - Boundless I couldn't put Country down. Tears through the pages at a cracking pace with sharp, smart prose and excellent dialogue - Paul McVeigh Country is first and foremost a clever literary exercise. Happily, it also works well as a brutal and gripping thriller in its own right . . . a complex saga filled with passionate arguments, vicious double crosses and eerie premonitions of death . . . a consistently engrossing read, written in Ulster-flavoured prose as rich and evocative as you would expect from a professional thespian . . . Hughes has plenty of intelligent things to say about national identity and the process by which war slowly transforms decent human beings into savages. As a reminder of what tends to fill political vacuums in Northern Ireland, meanwhile, Country could hardly have been better timed - which is why every member of the suspended Stormont Assembly should add it to their summer reading list - Irish Independent Hughes's inventiveness in creating Irish equivalents for the characters and plot moments of The Iliad is consistently thrilling . . . By enlisting the visceral power of The Iliad to illustrate the violence of the Troubles and using plain-spoken Irish voices that are appropriate to the period without losing a sense of the story's timelessness, Hughes has written a striking, memorable book - Literary Review With Homer's Illiad as the baseplate for this 1990s novel, Hughes reaches deep into the country and grasps something furious, elemental and dark...This is a hard, rigorous and necessary book which grinds out its beauty as the song cycles of empire and resistance fall silent, choked in their own blood - Irish Times Part of the thrill is recognising the correspondences between the characters and Homer's originals . . . the language is enough to keep you enthralled . . . Hughes's achievement is to prove that Homer remains ignoble, messy and horribly familiar - Guardian Daring, inventive and ambitious . . . The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer's hexameter - Guardian Incredibly original and illuminating . . . an absolute joy to read . . . Hughes' prose style is extraordinary . . . I really, really loved it - BBC Radio 4 Saturday Review


A lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud * The Times * I couldn't put Country down. Tears through the pages at a cracking pace with sharp, smart prose and excellent dialogue * Paul McVeigh * This powerful novel is full of blistering writing that leaps off the page and is perhaps the first great fiction about The Troubles since Dermot Healy * Boundless * Prose that crackles with the vernacular of hard men, yet remains compulsively readable throughout . . . a classic story, and a gritty contemporary thriller, this book is an extraordinary achievement * Stuart Neville * Consistently thrilling . . . By enlisting the visceral power of The Iliad to illustrate the violence of the Troubles . . . Hughes has written a striking, memorable book * Literary Review * A brutal and gripping thriller in its own right . . . a consistently engrossing read, written in Ulster-flavoured prose as rich and evocative as you would expect from a professional thespian * Irish Independent * This is a hard, rigorous and necessary book which grinds out its beauty as the song cycles of empire and resistance fall silent, choked in their own blood * Irish Times * Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew * Daisy Johnson * Country explodes with verbal invention, rapid juxtaposition, brutality and fun . . . Hughes's linguistic dexterity, his ear for dialogue, his understanding of character, the energy of his prose * TLS * A bold, imaginative second novel * The Spectator * The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer's hexameter * Guardian * By tapping into western literature's greatest war story Hughes reveals the elemental brutality of the Troubles...his greatest triumph is that he renders it all in a lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer's formalities and hexametric lines. It begs to be read aloud * The Times *


Author Information

Michael Hughes grew up in Keady, Co. Armagh, and now lives in London. He attended St Patrick's Grammar School in Armagh and read English at Corpus Christi College, Oxford before training in theatre at the Jacques Lecoq School in Paris. He has worked for many years as an actor under the professional name Michael Colgan, and he also teaches creative writing. His first novel, The Countenance Divine, was published by John Murray in 2016.

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