|
|
|||
|
||||
OverviewStreet theatre invades a public space, shakes it up and disappears, but the memory of the disruption haunts the site for audiences who experience it. This book looks at how the dynamic interrelationship of performance, participant and place creates a politicized aesthetic of public space that enables the public to rehearse democratic practices. Full Product DetailsAuthor: S. HaedickePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 2.00cm , Length: 21.60cm Weight: 4.091kg ISBN: 9780230220263ISBN 10: 0230220266 Pages: 228 Publication Date: 28 November 2012 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'...a very competent book and of clearly expressed conclusions.' - Joanna Ostrowska, New Theatre Quarterly 'Contemporary street arts on this continent, Susan Haedicke's compelling study suggests, effectively stage protests against prevailing politics and provide an aesthetic examination of the many social injustices that otherwise begin to sediment as 'normal'. - Professor Susan Bennett, Performance Research: A Journal of the Performing Arts 'As an experienced street arts witness myself, I found this book thoroughly engaging... An interesting read' - Tina Carter, Royal Holloway, University of London, UK '...a very competent book and of clearly expressed conclusions.' - Joanna Ostrowska, New Theatre Quarterly 'Contemporary street arts on this continent, Susan Haedicke's compelling study suggests, effectively stage protests against prevailing politics and provide an aesthetic examination of the many social injustices that otherwise begin to sediment as 'normal'. - Professor Susan Bennett, Performance Research: A Journal of the Performing Arts 'As an experienced street arts witness myself, I found this book thoroughly engaging... An interesting read' - Tina Carter, Royal Holloway, University of London, UK Author InformationSUSAN HAEDICKE is Associate Professor in the School of Theatre, Performance, and Cultural Policy Studies at University of Warwick, UK. She has published several articles on European street arts and co-edited Political Performances and Performing Democracy: International Perspectives on Urban Community-Based Performance. She also works as a professional dramaturg. Tab Content 6Author Website:Countries AvailableAll regions |