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OverviewReconsiders contemporary Disney animation through the critical lens of genre theory Reveals new directions for the study of Disney's gender portrayals by combining a film genre perspective and the concept of post-feminism Examines the multifaceted interactions between Disney animated films, Pixar, Marvel, and other properties, providing insight into Disney's expanding cinematic universe Supported throughout by close analyse of the films, marketing materials, merchandising, and a wide range of comparative case studies from mainstream animation and Hollywood cinema Contemporary Disney Animation: Genre, Gender and Hollywood is the first in-depth study of Disney's latest animated output from the perspective of genre theory. Analysing a decade in Disney's history (2008-2018), Benhamou examines the multifaceted interactions between animated films, Disney properties such as Pixar and Marvel, and popular genres including the romantic comedy, the superhero film and the cop buddy film. Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres. Full Product DetailsAuthor: Eve BenhamouPublisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781474476126ISBN 10: 1474476120 Pages: 264 Publication Date: 18 November 2022 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews"""Benhamou's book offers a thorough and much needed critical exploration of contemporary animation from Disney and its competitors. Drawing on a multidisciplinary framework from genre to post-feminism through an animation studies lens, Benhamou offers the reader a well-considered, and very well written account of some of the key debates in screen studies."" -Nichola Dobson, University of Edinburgh" Author InformationDr Eve Benhamou is a teaching fellow in Film Studies at the University Paul-Val ry Montpellier 3, France. Prior to this, she lectured at the Bristol School of Animation and Swansea University (UK). She has published several journal articles on Disney, Hollywood cinema and gender in film. Tab Content 6Author Website:Countries AvailableAll regions |
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