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OverviewExplores the last thirty years of radio docufiction in Italy and the United Kingdom. Located at the crossroads of fact and invention, docudrama constitutes a rich field of investigation for media studies. Despite the hybrid nature of this subject and a recent boom in podcasting, scholars have mainly concentrated on film rather than audio docufiction. Sabina Macchiavelli remedies this with an analysis of Italian and British docudramas that explores the ambiguities of this form, looking at their structure and form, as well as the type of understanding they convey. She investigates the ways that sound effects, music, recorded events, voices, and silence can work to fictionalize audio productions that sit somewhere between journalism and fully dramatized readings or plays. This interplay between fact, fiction, and sound subverts accepted knowledge and produces an alternative view of personal and historical matters, one that may complement or complicate the accepted version of the truth. Macchiavelli builds her case with studies from the British Broadcasting Corporation and the Radio Audizioni Italiane, tracing parallels and divergences within their programming to dig into the docudrama’s paradoxical nature and the ambiguities it yields. Full Product DetailsAuthor: Sabina MacchiavelliPublisher: Intellect Imprint: Intellect Books Edition: New edition ISBN: 9781789387254ISBN 10: 1789387256 Pages: 238 Publication Date: 09 June 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsIntroduction Preface 1. The Formation of Trends in Radio Docudrama: Case Studies from Italy between Documentary Urge and Postmodern Paradoxes 2. The Development of Continuities in Radio Documentary: Ideology, Biography and Collective Creation in British Programmes 3. The Warping Action of Sound on Facts in BBC Broadcasts: Documentary Intent and Fictional Deviations 4. Modalities of Sound’s Action in Italian Productions: The Bellaria Film Festival 5. Storytelling, Narration and Symbolic Resonances in Docudrama Notes BibliographyReviewsAuthor InformationSabina Macchiavelli has a Ph.D in creative industries, University of South Wales, UK. She is an author, a teacher and an independent researcher in the study area of contemporary radio docufiction. Tab Content 6Author Website:Countries AvailableAll regions |
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