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OverviewFull Product DetailsAuthor: Christine Rogers (Independent researcher) , Kim Munro (RMIT University) , Liz Burke (University of Canberra) , Catherine Gough-Brady (RMIT University and Swinburne University of Technology)Publisher: Intellect Books Imprint: Intellect Books Edition: New edition Dimensions: Width: 17.00cm , Height: 1.90cm , Length: 24.40cm Weight: 0.694kg ISBN: 9781789387438ISBN 10: 1789387434 Pages: 306 Publication Date: 03 July 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Out of stock  The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available. Table of ContentsList of Figures Foreword Judith Aston and Stefano Odorico Thinking through Making in Non-Fiction Film Christine Rogers, Kim Munro, Liz Burke and Catherine Gough-Brady PART 1: THIS LENS MY EYE: FIRST PERSON, ETHNOGRAPHIC AND AUTOBIOGRAPHICAL FILMMAKING Christine Rogers 1. The Enigma of Film – ‘Memory Film: A Filmmaker’s Diary’ Jeni Thornley 2. Psychogeographical Choreography: On Filming Hand-Held Masha Vlasova 3. Remaking Absurd Pictures Rebecca Ora/rora 4. Creating/Recreating Memory: Cultural Menstruation Rituals through the Making of the Hybrid Documentary Big Girl Sheersha Perera 5. Phantom Limbs and Failed Messages: A Phenomenological Provocation of First Person Film Joanna Callaghan 6. Korimako and Macrocarpa Trees: Exploring Māori Experiences of Place through a Lens Christine Rogers PART 2: CONTESTED PLACES: FROM COLONIZATION TO CO-CREATION Kim Munro 7. Interrogating Power and Unsettling Relations to Place in Documentary Elizabeth Miller and Aggie Ebrahimi Bazaz 8. Acclimations: Speculations on Making Documentary in the Climate Emergency Kim Munro 9. In Search of Ambiguity Philip Cartelli 10. Can Sound Be Used to Challenge the Colonial Legacies of Silent Archival Film? Robert Hardcastle 11. Fraught Narratives, Archival Traces: Documentary Experiments in Carceral History Alexander Johnston PART 3: THE EXPANDED ESSAY FILM: THINKING WITH IMAGES AND SOUNDS Liz Burke 12. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film Jill Daniels 13. Flaunting Artifice: Restaging History as Critical Fabulation in The Deathless Woman Roz Mortimer 14. Tracing Yugoslavia: The Use of Narrative Time and Narrative Space to Re-Vision a Disappeared lieux de memoire (Memory-Site) Mila Turajlic 15. The Creative Ti(d)es of Sea-Changes: Musings on the Making of an Eco-Avant-Doc Gerda Cammaer 16. Weaving Fragments Together: Narrative and the Korsakow-Based Film Liz Burke 17. The Expanded Essay Film: The Researcher-Filmmaker as a Topographical Thinker Elisabeth Brun PART 4: NOTICING THE FRAME AND THE FORM Catherine Gough-Brady 18. Refugee Filmmaking: Finding Agency through the Lens Kaveh Abbasian 19. Passeio Público: The Life of Images and the Irresistible Fascination of Archival Film Andréa França and Nicholas Andueza 20. #PrecarityStory: Academic Casualization and Feminist Filmmaking Lorena Cervera and Isabel Seguí 21. Exploring Viewer Positioning and Attention Cues in a Cinematic Virtual Reality Documentary: A Creative Research Project Kath Dooley 22. Not Another Moment of Your Salvation: Documentary, Art Practice and Their Empathic Misadventures Minou Norouzi 23. Three Questions: A Practitioner’s Approach to the Documentary Form Catherine Gough-Brady Notes on ContributorsReviewsAuthor InformationChristine Rogers is a Pākehā/Ngāi Tahu filmmaker, scholar and textile artist whose work explores belonging and identity. Kim Munro is a documentary maker and lecturer in digital media at the University of South Australia. Liz Burke is a filmmaker and documentary producer who teaches producing at Swinburne University of Technology. Catherine Gough-Brady is an award-winning documentary producer and director who explores the relational nature of filmmaking in her research. Tab Content 6Author Website:Countries AvailableAll regions |
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