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Author:   Ann Murray (University College Cork)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.771kg
ISBN:  

9781138502970

ISBN 10:   1138502979
Pages:   272
Publication Date:   05 January 2018
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Table of Contents: List of Figures ForewordIntroductionAcknowledgements List of Contributors Part 1: Home Front Chapter 1: ‘Picturing’ World War I: German War Bond Posters and the Modern Public Claire Whitner Chapter 2: ‘Our lovely countryside’. Capturing the Image of Britain at War in Commercial Advertising, 1939–1945 David Clampin Chapter 3: Picturing War’s Affects on the Home Front during the First World War Catherine Speck Chapter 4: America’s Forgotten Soldier Art: The World War Two Camp Art Peter Harrington Chapter 5: Official Art of World War II by British Women Artists: Directing the Gaze Elizabeth de Cacqueray Part II: Art, Activism and Resistance Chapter 6: Strategies of Liberation: Jean Dubuffet’s Métro Series Caroline Perrett Chapter 7: Laughter at war Anna Markowska Chapter 8: Another Egyptian Revolution: Khayamiya as War Art Sam Bowker Chapter 9: Art and Conflict Resolution: Bloody Sunday, Northern Ireland Maebh O’Regan Chapter 10: Terms of Engagement: Critical Reflections in Contemporary Canadian War Art Christine Conley Part III: Traumatic Memory and Victimhood Chapter 11: Kārlis Padegs’ Red Laugh – the High Song of InsanityJānis Kalnačs Chapter 12: Vietnam: Memory of Desecration in Brian dePalma’s Casualties of WarNanette Norris Chapter 13: The Soldier’s Diary: A Record of Erased Time Agne Narušytė Chapter 14: The Fakhouri File: Traumatic Memory in the work of Walid Raad Anna Rådström Chapter 15: Polyrhythmics and Migrating Voices Leonida Kovač Part IV: Collective Memory and Commemoration Chapter 16: A Paroxysm of Battle Painting: Adriano de Sousa Lopes and the Great War Carlos Silveira Chapter 17: Let There be No More War: Jack B. Yeats’s Grief in Context Elizabeth Ansel Chapter 18: Remembering Port-Said 1956: Images of Popular Resistance in Egyptian Documentaries Rania Abdelrahman Chapter 19: Visualising an ‘Orphaned’ Nation: Orphan Photographs of the Korean War in Visual Culture Jung Joon Lee Chapter 20: A Lost State of Plenitude: Commemorating the Homeland War in Public Spaces in Croatia Sandra Križić Roban

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Author Information

Ann Murray holds a PhD from University College Cork. She is currently writing a book on the war art of Otto Dix.

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