Consent Culture and Teen Films: Adolescent Sexuality in US Movies

Author:   Michele Meek
Publisher:   Indiana University Press
ISBN:  

9780253065735


Pages:   240
Publication Date:   04 April 2023
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Consent Culture and Teen Films: Adolescent Sexuality in US Movies


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Overview

Teen films of the 1980s were notorious for treating consent as irrelevant with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensuring date rape is no longer a joke and girls' desires are celebrated, sexual consent remains a problematic and often elusive ideal in teen films. In Consent Culture and Teen Films, Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent (""yes means yes"") does not protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films-such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults-Meek unravels some of consent's intricacies rather than relying on oversimplification. By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.

Full Product Details

Author:   Michele Meek
Publisher:   Indiana University Press
Imprint:   Indiana University Press
ISBN:  

9780253065735


ISBN 10:   0253065739
Pages:   240
Publication Date:   04 April 2023
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

"Acknowledgments Introduction 1. Regulating Adolescent Sexuality in U.S. Cinema: From Censorship to Child Pornography Laws 2. Flipping the Heterosexual Script and Race-Based Sexual Stereotypes in Teen Comedies of the 2010s and 2020s 3. Queering Consent: Navigating Performative and Subjective Consent in Queer Teen Films 4. ""I Was Not Lolita"": Child Sexual Abuse and Children's Agency in The Diary of a Teenage Girl and The Tale 5. The (In)Visibility of Trans Teens: 3 Generations, Adam, and Boy Meets Girl Conclusion: Adolescent Sexuality and the Adult Imagination Filmography Bibliography Index"

Reviews

"""Meek's study is revelatory in its understanding of contemporary concerns about sexual consent, ranging from adults' efforts to regulate children's sexual knowledge to teenagers' interests in exploring their sexual identities. The extensive analysis of recent films provides numerous opportunities for reconsidering how the concept of consent is evolving for youth, who are in real life revising fundamental notions of gender, power, and expression. This book may at least provoke more educators and parents to respect how the movies adolescents are watching are often confronting current conditions of youth sexuality in ways that many adult authorities are not.""—Timothy Shary, author of Generation Multiplex ""This thoughtful and timely volume demonstrates that teen films have become a key site for negotiating the emergent discourse of consent and adolescent sexual agency. Through astute analyses of recent American films, Meek teases out the complexities and contradictions inherent in the ideal of affirmative consent. Consent Culture and Teen Films is an essential addition to the literature on teen films and on Hollywood's representation of adolescent sexuality.""—Kristen Hatch, author of Shirley Temple and the Performance of Girlhood"


Meek's study is revelatory in its understanding of contemporary concerns about sexual consent, ranging from adults' efforts to regulate children's sexual knowledge to teenagers' interests in exploring their sexual identities. The extensive analysis of recent films provides numerous opportunities for reconsidering how the concept of consent is evolving for youth, who are in real life revising fundamental notions of gender, power, and expression. This book may at least provoke more educators and parents to respect how the movies adolescents are watching are often confronting current conditions of youth sexuality in ways that many adult authorities are not.--Timothy Shary, author of Generation Multiplex


Meek's study is revelatory in its understanding of contemporary concerns about sexual consent, ranging from adults' efforts to regulate children's sexual knowledge to teenagers' interests in exploring their sexual identities. The extensive analysis of recent films provides numerous opportunities for reconsidering how the concept of consent is evolving for youth, who are in real life revising fundamental notions of gender, power, and expression. This book may at least provoke more educators and parents to respect how the movies adolescents are watching are often confronting current conditions of youth sexuality in ways that many adult authorities are not. -Timothy Shary, author of Generation Multiplex This thoughtful and timely volume demonstrates that teen films have become a key site for negotiating the emergent discourse of consent and adolescent sexual agency. Through astute analyses of recent American films, Meek teases out the complexities and contradictions inherent in the ideal of affirmative consent. Consent Culture and Teen Films is an essential addition to the literature on teen films and on Hollywood's representation of adolescent sexuality. -Kristen Hatch, author of Shirley Temple and the Performance of Girlhood


Author Information

Michele Meek is Assistant Professor of Communication Studies at Bridgewater State University. She is editor of Independent Female Filmmakers: A Chronicle through Interviews, Profiles, and Manifestos and serves on the editorial board for Short Film Studies.

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