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					OverviewA study of concrete art and poetry, its implications, and influence in Brazil. Concrete art and poetry burst onto Brazil’s cultural stage in the 1950s, while the country was embarking on a dizzying period of modernization. Bringing together key poets and visual artists alongside less recognized figures, Nathaniel Wolfson shows that concretism was hardly socially inert, as pundits have suggested. Rather, it presciently grappled with an emerging information age that would soon reorganize human relations globally. Concrete Encoded describes a nascent cybernetic imaginary. While concretism has long been considered Brazil’s most global aesthetic movement, Wolfson traces new circles of international theorists and practitioners involved in critical technological thought. Wolfson argues that concrete poetry is the quintessential literary genre of the early information age. He shows that Brazilian poets, artists, and designers contested the military dictatorship’s technological authoritarianism and information-gathering operations. Vigorous experimentalists, their attention to form and semantics unveiled both the creative and nefarious possibilities of algorithmic writing. A highly original and daring work, Concrete Encoded reckons with aesthetic responses from Brazil to an advancing capitalist and digital era. Full Product DetailsAuthor: Nathaniel WolfsonPublisher: University of Texas Press Imprint: University of Texas Press Weight: 0.454kg ISBN: 9781477332535ISBN 10: 1477332537 Pages: 312 Publication Date: 04 November 2025 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Forthcoming Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsList of Illustrations Introduction: The Aesthetics and Politics of Code Chapter 1. Just Semantics: Haroldo de Campos’s Amoral Machines Chapter 2. Mira Schendel’s Hermeneutics of Everyday Life Chapter 3. João Cabral de Melo Neto’s Prosthetic Landscapes Chapter 4. Code-Patterns: Aloisio Magalhães’s Cybernetic-Popular Design Epilogue: On Life and Apophantics Acknowledgments Notes Bibliography Illustration Credits IndexReviewsWhat is the cybernetic imaginary, and what are its defining features? What distinguishes knowing (imagination, memory, cognition and so forth) in the age of cybernetics from knowing in the age of print? Concrete Encoded is a daring study of the ways in which artists, designers, and writers in Brazil responded to the emergence of cybernetics as a new sphere of knowledge. It is among the first to explore how modern Brazilian culture responded to the rise of cybernetics, artificial intelligence, and other fields that have radically transformed the fabric of contemporary societies.--Sergio Delgado Moya, University of Chicago, author of Delirious Consumption: Aesthetics and Consumer Capitalism in Mexico and Brazil Author InformationNathaniel Wolfson is associate professor in the department of Spanish and Portuguese and affiliated faculty in the Program in Critical Theory and the Berkeley Center for New Media at University of California, Berkeley. Tab Content 6Author Website:Countries AvailableAll regions | 
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