Overview

Combination Acts draws together fifteen years of conversations with artists, musicians, activists, and theorists about the nature of collaborative practice. Taken together these dialogues provide a series of study notes for and from the self-organisation of the undercommons, gesturing towards an aesthetics that occupies a space of power for itself by coming to close to, but never finally reaching, a set form.

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9781570273551

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Reviews

Combination Acts is an exhilarating read as it boldly combines optimism (the always renewed burden of struggles on the left) and pragmatism (the requirement of actually existing praxis). Engaging dialogues and theoretical analysis are also combined in this cutting-edge study, on material and in ways that are indispensable for carrying forward the spirit and actuality of insurgent togetherness. The key question of the book - what interventions would be needed so that the grammar of self-organization would not find itself rendered into the fixed forms of capital's continued accumulation demands? - is answered through multiple narrative documents of real-life experience crossing through the art field. At the very least, the book informs us of the depth of critical thought from which practices of anti-status-quo alternatives stem; as for what the book achieves at its best, this is dependent on whether and how we seek to implement what we learn from it. An essential and inspirational reality check on collaboration, labour, its content and discontent, and the conundrum of art activism, among numerous other markers of the zeitgeist. - Angela Dimitrakaki, University of Edinburgh The mood and tense of revolution can be obscure even to those who act it out - as polyphonic combination, cutting normative conceptions of person and number - in beautifully everyday experiments that strain against the brutally ongoing. Thankfully, in this timely primer, Stevphen Shukaitis reminds us how to conjugate the verbs to live, to fight, and to enjoy. - Fred Moten, New York University

The mood and tense of revolution can be obscure even to those who act it out - as polyphonic combination, cutting normative conceptions of person and number - in beautifully everyday experiments that strain against the brutally ongoing. Thankfully, in this timely primer, Stevphen Shukaitis reminds us how to conjugate the verbs to live, to fight, and to enjoy. - Fred Moten, New York University Combination Acts is an exhilarating read as it boldly combines optimism (the always renewed burden of struggles on the left) and pragmatism (the requirement of actually existing praxis). Engaging dialogues and theoretical analysis are also combined in this cutting-edge study, on material and in ways that are indispensable for carrying forward the spirit and actuality of insurgent togetherness. The key question of the book - what interventions would be needed so that the grammar of self-organization would not find itself rendered into the fixed forms of capital's continued accumulation demands? - is answered through multiple narrative documents of real-life experience crossing through the art field. At the very least, the book informs us of the depth of critical thought from which practices of anti-status-quo alternatives stem; as for what the book achieves at its best, this is dependent on whether and how we seek to implement what we learn from it. An essential and inspirational reality check on collaboration, labour, its content and discontent, and the conundrum of art activism, among numerous other markers of the zeitgeist. - Angela Dimitrakaki, University of Edinburgh

Author Information

Stevphen Shukaitis is Senior Lecturer at the University of Essex, Centre for Work and Organization, and a member of the Autonomedia editorial collective. He is the author of Imaginal Machines: Autonomy & Self-Organization in the Revolutions of Everyday Day (2009) and The Composition of Movements to Come: Aesthetics and Cultural Labor After the Avant-Garde (2016). His research focuses on the emergence of collective imagination in social movements and the changing compositions of cultural and artistic labor.

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