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Reviews

"“Brilliant, challenging, and ecstatic. . . . Code Noir refracts hundreds of years of history into a lively book of fictions. . . . The end result is exactly right, obscuring and countering, rewriting and reweaving, the colonial ordering of the world. . . . [A] dazzling achievement.” —The Globe and Mail “An interconnected allegory. . . . Lubrin’s iconoclastic flights subvert hierarchies and cover continents and aeons of pain. . . . Torkwase Dyson’s drawings depict these allegories . . . [adding] a fuller picture to Lubrin’s already fulsome text.” —The Miramichi Reader (starred review) “Written in language that crackles with life and humour, the stories in Canisia Lubrin’s Code Noir: Metamorphoses usher us into the lives of their narrators, lives that are filled with a kind of wonder and surprise. Such an invitation to enter and imagine their worlds. In its formal inventiveness and sheer audaciousness, Code Noir is unlike anything else that I’ve ever read. Lubrin is a force.” —Christina Sharpe, author of Ordinary Notes and In the Wake “Code Noir is a revelation. Proof that it is possible for an imagination to outpace the rest of us, and beckon from a future far richer and more brilliant than anything we know. This book sings in searing language, telling stories that bristle and challenge, comfort and question. Canisia Lubrin is one of the finest writers and thinkers of our time, and in Code Noir is a voice that, once heard, can never be forgotten."" —Maaza Mengiste, author of The Shadow King, shortlisted for the Booker Prize “Code Noir is storytelling at its deepest and most intimate. The stories take you into their confidences – confidences that are knowing, but at the same time defamiliarizing. You have to meet their speakers wherever they are in their lives. These speakers know things they shouldn’t know and, uncannily, they know things that you know. Things about lullabies and dogs and elephants. The stories say, loneliness is nostalgia; they listen to Billie Holiday during a war; they know the decrees of Code Noir, that 17th century rulebook for Black life; they know the realm of time, where best friends drown in rivers. Some of these stories are like looking through blue sea glass, some are like drinking strong liquor, some are like a whiff of smoke and then an orange light. These stories are magic and you must enter them as if you, too, are wondrous.” —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return “A singular achievement.” —Souvankham Thammavongsa, author of How to Pronounce Knife ""A book that radiates life—insistent, unbounded life. . . . A virtuosic assembling of genres, voices and experience . . . with lines gripping the heart and stories suffused with beauty and tenderness."" —David Chariandy, author of Brother"

"“An interconnected allegory. . . . Lubrin’s iconoclastic flights subvert hierarchies and cover continents and aeons of pain. . . . Torkwase Dyson’s drawings depict these allegories . . . [adding] a fuller picture to Lubrin’s already fulsome text.” —The Miramichi Reader (starred review) “Written in language that crackles with life and humour, the stories in Canisia Lubrin’s Code Noir: Metamorphoses usher us into the lives of their narrators, lives that are filled with a kind of wonder and surprise. Such an invitation to enter and imagine their worlds. In its formal inventiveness and sheer audaciousness, Code Noir is unlike anything else that I’ve ever read. Lubrin is a force.” —Christina Sharpe, author of Ordinary Notes and In the Wake “Code Noir is a revelation. Proof that it is possible for an imagination to outpace the rest of us, and beckon from a future far richer and more brilliant than anything we know. This book sings in searing language, telling stories that bristle and challenge, comfort and question. Canisia Lubrin is one of the finest writers and thinkers of our time, and in Code Noir is a voice that, once heard, can never be forgotten."" —Maaza Mengiste, author of The Shadow King, shortlisted for the Booker Prize “Code Noir is storytelling at its deepest and most intimate. The stories take you into their confidences – confidences that are knowing, but at the same time defamiliarizing. You have to meet their speakers wherever they are in their lives. These speakers know things they shouldn’t know and, uncannily, they know things that you know. Things about lullabies and dogs and elephants. The stories say, loneliness is nostalgia; they listen to Billie Holiday during a war; they know the decrees of Code Noir, that 17th century rulebook for Black life; they know the realm of time, where best friends drown in rivers. Some of these stories are like looking through blue sea glass, some are like drinking strong liquor, some are like a whiff of smoke and then an orange light. These stories are magic and you must enter them as if you, too, are wondrous.” —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return “A singular achievement.” —Souvankham Thammavongsa, author of How to Pronounce Knife ""A book that radiates life—insistent, unbounded life. . . . A virtuosic assembling of genres, voices and experience . . . with lines gripping the heart and stories suffused with beauty and tenderness."" —David Chariandy, author of Brother"

“Written in language that crackles with life and humour, the stories in Canisia Lubrin’s Code Noir: Metamorphoses usher us into the lives of their narrators, lives that are filled with a kind of wonder and surprise. Such an invitation to enter and imagine their worlds. In its formal inventiveness and sheer audaciousness, Code Noir is unlike anything else that I’ve ever read. Lubrin is a force.” —Christina Sharpe, author of Ordinary Notes and In the Wake “Code Noir is storytelling at its deepest and most intimate. The stories take you into their confidences – confidences that are knowing, but at the same time defamiliarizing. You have to meet their speakers wherever they are in their lives. These speakers know things they shouldn’t know and, uncannily, they know things that you know. Things about lullabies and dogs and elephants. The stories say, loneliness is nostalgia; they listen to Billie Holiday during a war; they know the decrees of Code Noir, that 17th century rulebook for Black life; they know the realm of time, where best friends drown in rivers. Some of these stories are like looking through blue sea glass, some are like drinking strong liquor, some are like a whiff of smoke and then an orange light. These stories are magic and you must enter them as if you, too, are wondrous.” —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return “A singular achievement.” —Souvankham Thammavongsa, author of How to Pronounce Knife

Author Information

CANISIA LUBRIN’s books include Voodoo Hypothesis and The Dyzgraphxst. Lubrin’s work has been recognized with the Griffin Poetry Prize, OCM Bocas Prize for Caribbean Literature, the OCM Bocas Prize for Poetry, the Derek Walcott Prize, the Writer’s Trust of Canada Rising Stars prize, and others. Also a finalist for the Trillium Award for Poetry and Governor General's Literary Award, Lubrin has held fellowships at the Banff Centre, Civitella Ranieri in Italy, Simon Fraser University, Literature Colloquium Berlin, Queen’s University, and Victoria College at University of Toronto. She studied at York University and the University of Guelph, where she now coordinates the Creative Writing MFA in the School of English & Theatre Studies. In 2021, Lubrin received a Windham-Campbell prize for poetry, and the Globe & Mail named her Poet of the Year. Code Noir: Metamorphoses is her debut fiction, and includes stories listed for the Journey Prize (2019, 2020), Toronto Book Award (2018) and the Shirley Jackson Award (2021). Born in St. Lucia, Lubrin now lives in Whitby, Ontario, and is poetry editor at McClelland & Stewart.

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