Overview

Full Product Details

Author:   Eugenio Refini (New York University)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.90cm , Height: 1.90cm , Length: 23.50cm
Weight:   0.600kg
ISBN:  

9781108481816

ISBN 10:   1108481817
Pages:   292
Publication Date:   27 February 2020
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In stock  
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Table of Contents

Introduction: translation as reception; 1. Taming the philosopher; 2. The master of those who know (and those who don't); 3. Family business: readying the ethics for the layman; 4. The philosopher, the humanist, the translator and the reader; 5. Abridging the philosopher(s); Conclusion: the spirit in the crystal bottle.

Reviews

'Scholars of the Renaissance and medieval period, of the history of philosophy, and of the history of the book and of literacy will prize Refini's immensely learned volume. It is equally valuable to literary scholars focused on the practice of reception and on translation, both of which are essential to scholarly interrogation of cultural continuity and discontinuity from the ancient to the modern periods.' Brenda Deen Schildgen, Speculum: A Journal of Medieval Studies 'This book provides an excellent case-study both for the dividends reaped from paying close attention to how the classics were read in the later medieval period and how failure to pay attention to this material risks distorting our understanding of the Renaissance.' Justin Stover, Bryn Mawr Classical Review

Author Information

Eugenio Refini is Assistant Professor of Italian Studies at New York University. His interests include Renaissance poetics, rhetoric, and drama; reception of antiquity and translation studies; and the intersections of music and literature. His publications include a monograph on Alessandro Piccolomini titled Per via d'annotationi: le glosse inedite di Alessandro Piccolomini all'Ars Poetica di Orazio (2009) and several articles and book chapters on Ludovico Ariosto, Torquato Tasso, Latin humanism and the musical culture of early modern Italy.

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