Overview

City Hall is the first book to feature striking contemporary images of the most architecturally significant city halls in the United States. This diverse collection includes New York, the oldest; Philadelphia, once the tallest building in the world; and Boston, the first major brutalist building in the United States. Organised chronologically, the book traces the evolution of American civic architecture from the early 19th century to the present day and represents diverse styles such as Federalist, art deco, and modern. Architects, current and former mayors, historians, and preservationists tell the story about how each city hall came to be, what it says about its city, and why it's important architecturally. City Hall spotlights these often under-appreciated civic buildings and affirms architecture's unique power to express democratic ideals and inspire civic engagement. AUTHOR: Arthur Drooker is the author and photographer of American Ruins (Merrell, 2007), Lost Worlds: Ruins of the Americas (ACC, 2011), Pie Town Revisited (UNM Press, 2015) and Conventional Wisdom (Glitterati, 2016). 88 colour and b/w images

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9780764360497

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nbsp;City Hall, dives into 15 of the most architecturally unique city halls in America -- including those whose design deviates from the Greek- and Roman-inspired style of neoclassical architecture, which has long been the dominant design of government buildings. It explores how each building's design reflected the people of the city and the political and social issues at the time of construction, as well as the evolution of civic architecture in America. --Bloomberg CityLab

Author Information

Arthur Drooker is the author and photographer of American Ruins (Merrell, 2007), Lost Worlds: Ruins of the Americas (ACC, 2011), Pie Town Revisited (UNM Press, 2015) and Conventional Wisdom (Glitterati, 2016). For more information, please visit arthurdrooker.com.  Foreword by award-winning historian Douglas Brinkley, professor of history at Rice University, the CNN Presidential Historian, and a contributing editor at Vanity Fair.   Essay by Thomas Mellins, an author who has curated exhibits for institutions including the Museum of the City of New York, the National Building Museum, and the New York Public Library.  

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