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OverviewFull Product DetailsAuthor: Professor or Dr. Michael B. MacDonaldPublisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 15.20cm , Height: 2.50cm , Length: 22.90cm Weight: 0.454kg ISBN: 9781501369438ISBN 10: 1501369431 Pages: 320 Publication Date: 22 August 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Forthcoming Availability: Manufactured on demand  Table of ContentsAcknowledgements Introduction: A Cinematic Style of Thought 1. Cineworlding with Musics’ Undercommons 2. A Worlding Proposition For/From an Alternate Reality 3. Living Flame of Love: Creative Practice Research and Practical Musicology 4. Virtual and Actual in Posthumanography 5. Diagrammatic Posthumanography of Margø’s “In Between” 6. Bodying in Intensive and Extensive Spaces: “John Wort Hannam is a Poor Man” 7. Quartet 2 and Affective Vectoring 8. Crystal Image in Cinematic Research-Creation: Pimachihowan, A Case Study 9. The Crowd Behind the Lens: We’re Too Loud 10. Elders’ Room: The Opportunities and Challenges of Decoloniality 11. Activist Minor Cinema Notes IndexReviews"""CineWorlding is a deep dive into MacDonald's highly original approach to digital audiovisual filmmaking and perhaps the most nuanced articulation of research-creation yet to come out of music studies. Ethnomusicology is exploding. CineWorlding throws fuel on the flames and offers exciting new critical pathways for scholars and students."" --Ellen Waterman, Professor, Helmut Kallmann Chair for Music in Canada, and Director, Research Centre for Music, Sound, and Society in Canada, Carleton University, Canada ""Don't try to contain it, or sequester it in a discipline, or organize it into a method. CineWorlding is more-than making a film, it is the very making-thinking worlding calls for when it becomes cinematic. More-than human, more-than sited, cineworlding is a practice that must be experimented to do its work. It is neither your work alone, nor mine. It is what occurs in the interstices, in the ecotone 'where individual ecologies, digital cinema technology ecosystem, ethnographic research ecosystem, philosophy ecosystem, cinematic art ecosystem interfere/entangle/interpenetrate each other to produce a rich ecological zone where new complex beings proliferate.' Take cineworlding as a lure and move it into your pedagogical practices. Make it a technique, and be made by it."" --Erin Manning, Professor of Studio Arts and Cinema, Concordia University, Canada ""With CineWorlding, musician, ethnographer and filmmaker Michael MacDonald poetically demonstrates how the cinematic medium creates new forms of thinking, knowing, and experiencing the audio-visual world we increasingly inhabit."" --Christopher Salter, Professor of Immersive Arts, Zurich University of the Arts, Switzerland" Author InformationMichael B. MacDonald is Associate Professor of Music at the MacEwan University Faculty of Fine Arts and Communications, Canada. He is the founding program chair of the MusCan Film Series, serves on the editorial board of the journal Intersections, is the program committee for KISMIF (Keep it Simple, Make it Fast), is on the scientific committee for COMbART, and is an active member of the International Council of Traditional Music Study Group on Audiovisual Ethnomusicology. He is the author of Playing for Change (2016), Remix and Life Hack in HipHop (2016), and Finding Phish (2020). Tab Content 6Author Website:Countries AvailableAll regions |
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