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OverviewWriting on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls “corpography” implies a constant re-mapping of landscape through the soldier’s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator’s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts. Full Product DetailsAuthor: Eileen RositzkaPublisher: De Gruyter Imprint: De Gruyter Weight: 0.475kg ISBN: 9783110709124ISBN 10: 3110709120 Pages: 210 Publication Date: 06 July 2020 Audience: Professional and scholarly , College/higher education , Professional & Vocational , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In stock  We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviews"""By examining how cinematic representations of war speak so closely to our human condition, Rositzska skilfully depicts how such representations are inflected with intersubjective permutations and assumptions about the material body, gender, and even race, assumptions which can be challenged or interrogated through aesthetic, cinematic forms in order to undercut - even subvert - a predominantly visual discourse in film and media studies."" (Panayiota Chrysochou in: Punctum, 5(1): 271-273, 2019)" By examining how cinematic representations of war speak so closely to our human condition, Rositzska skilfully depicts how such representations are inflected with intersubjective permutations and assumptions about the material body, gender, and even race, assumptions which can be challenged or interrogated through aesthetic, cinematic forms in order to undercut - even subvert - a predominantly visual discourse in film and media studies. (Panayiota Chrysochou in: Punctum, 5(1): 271-273, 2019) Author InformationEileen Rositzka, Freie Universität Berlin, Kolleg-Forschergruppe Cinepoetics - Poetologien audiovisueller Bilder, Berlin, Germany. Tab Content 6Author Website:Countries AvailableAll regions |
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